The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and SumerSmith, Hermann
History
The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and Sumer
Smith, Hermann
Music -- To 500 -- History and criticism
I was agreeably surprised to find that the late Dr. A. S. Murray,
Keeper of the Greek and Roman Departments of the British Museum,
in his last lectures on Sculpture, delivered by him at Burlington
House, but a few weeks before his lamented death, had selected this
Praxitelean Monument for the subject of his discourses. Referring to
the Apollo Harp he said “it is quite beautiful.” The coincidence of
choice attracted me, and calling to mind the learned Keeper’s courteous
manner, and kindly help in former years, I had planned another
interview, with questions which he from his stores of knowledge would
have satisfied—but it was too late—he had passed through The Open
Gateway.
Intimations of a proposed sequel to this work will be found in the last
two pages of the volume, new and valuable materials having been brought
to hand by recent discoveries.
Goethe in his “conversations with Eckermann” said that a book should be
judged, first, by the aim the author proposed to himself—next, by the
degree in which he had succeeded in accomplishing his aim. I may not
have remembered the exact words, “’tis sixty years since” I read them,
but the purport of the saying is there. My aim in writing has been
to give the lover of music a companionable book, full of information
of a kind likely as I think to be of interest to both amateur and
professional. My own enthusiasm on the subject has, I hope, been
tempered by ease in presentation, for I am wishful that the hours given
to the reading of these pages may leave with all readers a pleasant
memory.
HERMANN SMITH.
CONTENTS.
CHAPTER I.
PAGE.
AT THE GATES OF THE PAST 1
CHAPTER II.
IN THE LAND OF MYTH—THE PURSUIT OF THE GODS 14
CHAPTER III.
IN THE LAND OF EGYPT—THE LADY MAKET AND
HER FLUTES 25
CHAPTER IV.
IN THE LAND OF EGYPT—MORE EGYPTIAN FLUTES—THE
EVIDENCES OF THE SCALE—THE TEACHINGS
OF EXPERIMENTS 42
CHAPTER V.
IN THE LAND OF ETRURIA—THE GRECO-ETRUSCAN
DOUBLE FLUTES—THE BULBED OR SUBULO
FLUTES 63
CHAPTER VI.
IN THE LAND OF GREECE—FROM ETRURIA TO
ATHENS—THE SWEET MONAULOS 82
CHAPTER VII.
IN THE LAND OF GREECE—THE SILKWORM FLUTES,
OR BOMBYX FLUTES 93
CHAPTER VIII.
IN OSCAN LAND—ITALIA—FOUND AT POMPEII—THE
GRECO-ROMAN FLUTES 107
CHAPTER IX.
BACK TO THE LAND OF THE NILE—EGYPT REVEALS
THE SECRET 118
CHAPTER X.
THE ISLES OF GREECE—MIDAS THE GLORIOUS 126
CHAPTER XI.
NEAR THE CITY OF CHARITES—THE MYSTERY OF
THE “SLENDER BRASS” 137
CHAPTER XII.
AT THE DELPHIC TEMPLE—THE MUSIC HEARD BY
THE GREEKS 143
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