The World's Illusion, Volume 1 (of 2): EvaWassermann, Jakob
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The World's Illusion, Volume 1 (of 2): Eva
Wassermann, Jakob
German fiction -- Translations into English
The rooms, built of mighty blocks of stone, soothed Eva. By day and
night she heard the long-drawn thunder of the waves. Whenever she
picked up a book, she dropped it again soon and listened.
She walked through those rooms, full of ancient furniture and dark
portraits, glad to possess herself, and to await without torment him
who came to her. She greeted him with half-closed eyes, and with the
smile of one who has yielded herself wholly.
Susan practised on a piano with muted strings. When she had finished
her task, she slunk away and remained hidden.
Christian and Amadeus Voss had taken lodgings in a neighbouring
villa--Voss on the ground floor, Christian above. Since Christian
neither asked questions nor detained him, Voss went out in the morning
and returned in the evening or even late at night. He did not say where
he had been, or what he had seen or experienced.
At breakfast on the third morning, he said to Christian: “It’s a
thankless task to unchain a fellow like me. I breathe a different
breath and sleep a different sleep. Somewhere my soul is ranging about,
and I’m chasing it. I’ve got to catch it first, before I know how
things are with me.”
Christian did not look up. “We’re invited to dine with Eva Sorel
to-night,” he said.
Voss bowed ironically. “That invitation looks damnably like charity,”
he said harshly. “I feel the resistance of those people to me, and
their strangeness, in my very bones. What a superfluous comedy! What
shall I do there? Nearly all of them talk French. I’m a provincial, a
villager, and ridiculous. And that’s worse than being a murderer or
thief. I may make up my mind to commit arson or murder, so as not to
be ridiculous any more.” He opened his mouth as though to laugh, but
uttered no sound.
“I’m surprised, Amadeus, that your thoughts always cling to that
one point,” Christian said. “Do you really believe it to be of such
decisive importance? No one cares whether you’re poor or rich. Since
you appear in my company, no one questions your equality, or would be
so vulgar as to question it. The feelings that you express originate
in yourself, and you seem to take a kind of perverse joy in them. You
like to torment yourself, and then revenge yourself on others. I hope
you won’t take my frankness amiss.”
Public-domain text, read in full here on John Shaqi.
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