“It is a fact that she employs and stirs public opinion in our country as scarcely any other human being does. Every one knows at all times who is in her favour and who has fallen from grace. The luxury that surrounds her generates the wildest fables, and does, indeed, surpass anything ever known. Her monthly income runs into the hundreds of thousands, and her fortune is estimated at between twenty and thirty millions of rubles. Twice a week she receives a carload of flowers from the Riviera, and twice from the Crimea. “Concerning the castle which she is building at Yalta on the sea, details are told that remind one of the Arabian Nights. It is to be finished in a month, and magnificent festivities are planned for the house-warming. I am among the guests invited. Every one is talking about this castle. The park is said to cover an area of five square miles. Only by a most extravagant expenditure of money and labour could the whole thing have been completed within a year. I am told that the central building has a tower from which one has a magnificent view of the sea, and that this tower is a copy of the tower of the Signoria at Florence. A gilded spiral staircase with a balustrade of costly enamel leads upward within, and each window affords a carefully selected view of the southern landscape. To adorn the walls of one of her great rooms she desired the remaining paintings which the British had still left in El Hira, the celebrated ruin in the Arabian desert. To obtain them, extensive commercial and diplomatic negotiations were necessary. Further large sums were spent and difficulties surmounted to fit out an expedition which was in the desert for three months and has but just returned. Its task was as dangerous as it was romantic, and seven of its members lost their lives. When Eva was told of this, she seemed to be frightened and to regret the boldness of her desires. But then she saw the pictures, and was so entranced that her smile seemed almost to express a satisfaction at the sacrifices they had cost. “There is no exaggeration in this account. Such is her nature now. Those inconceivably beautiful hands treat the world as though it were possessed by slaves and meant and destined for her alone. I myself beheld her one day crouching before the paintings of a strange, far age, and I was shaken by the expression with which she regarded the gestures of those archaic figures. It was an expression of estrangedness and cruelty.