The World's Illusion, Volume 2 (of 2): RuthWassermann, Jakob
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The World's Illusion, Volume 2 (of 2): Ruth
Wassermann, Jakob
German fiction -- Translations into English
She determined to visit Judith. It seemed to her like a preparation for
that other and more difficult visit, which she might thus delay for a
little while, and to which her courage was not yet equal. It lured her
when she thought of it as an adventure; but a voice within her told her
that she must not let it be one.
XVII
Every time Christian saw Johanna Schöntag she seemed more emaciated and
more worn. Beneath his observant glance she smiled, and that glance was
meant to deceive him. She thought herself well hidden under her wit and
her little harlequin-like grimaces.
She usually appeared toward evening to sit with Michael for an hour or
two. She felt it to be her duty. She pretended to be utterly frivolous;
yet when she had assumed a task she was pedantically faithful in its
execution. On the day when she observed that the boy’s improvement
had reached a point which made her service unnecessary, so vivid a
look betokening her sense of futility stole into her face that Michael
gazed at her and conceived a definite idea of her character. Checked
though it still was by his old terror of human beings, gratitude for
her sacrifices shone in his eyes. She began to employ his thoughts;
her ways were so alien and yet so familiar. He could not rise to the
point of frank communication, but when she rose to go he begged her
to stay a little longer. Then the habitual silence fell between them,
and Johanna, not really reading, let her tormented eyes glide over the
page of some French or English novel that she had brought with her. But
this time he put a question to her, and after a while another, and then
another; and thus arose conversations in which they sought and explored
each other. Johanna was by turns superior or mocking or motherly or
elusive. She had weapons and veils in plenty. What he said was didactic
or shy, or sudden and heated. Her sayings were often double-edged, and
confused him; then she would laugh her sharp laughter, and he would be
disillusioned and hurt.
He asked her to tell him whence she came, who she was, what she was
doing, and she told him of her girlhood and her parents’ house. To him
who was familiar with poverty alone it sounded like a fairy-tale. He
said: “You are beautiful,” and she really seemed so to him, and his
naïve homage made her blush and gave her a little inner courage. But
her hands, he added, were not the hands of a rich girl. She seemed
surprised, and answered with an expression of self-hatred that her
hands, like a cripple’s hump or the devil’s splay foot, were the symbol
of what she really was.
Public-domain text, read in full here on John Shaqi.
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