Stübbe, gasping for air, collapsed. Christian stood there, pale as death. He smelt and felt that there was blood on him. People came in; the noise had roused them from their beds. A woman took the little children and sought to soothe them. One man kneeled by the murdered woman; another went for water. There were some who cried out and were excited; others looked on calmly. After a while a policeman appeared. Stübbe lay in a corner and snored; the lamp still smoked and stank. A second policeman drifted in, and took counsel with the first whether Stübbe was to be left here till morning or removed at once. Christian still stood there, pale as death. Suddenly every eye was turned upon him. A dull silence fell on the room. One of the policemen cleared his throat. The child looked up at him breathlessly. It had a colourless, stern old face. Its unnaturally large, blue-rimmed eyes were filled with the immeasurable misery of the life it had lived. Christian’s look seemed to charm the child. The little figure seemed to grow and twine itself about that look like a sapling, and to lose its cold and suffering and sickness and fear. Christian recognized the heroic soul of the little creature, its innocence and guiltlessness and rich, undying heart. “Come with me, I have a bed for you,” he said to the child, and led it past the people and out of the room. The little girl went with him willingly. In his room he touched her and raised her up. He could hardly believe such delicate limbs and joints capable of motion. So soon as she lay on his bed and was covered she fell into deep slumber. He sat beside her and gazed into the colourless, stern, old face. XX And again, while he sat there, a landscape seemed to be about him. On either side of a marshy path bare trees were standing, and their limbs protruded confusedly and crookedly into the air. The light was dim, as though it were a very early autumn morning. Heavy clouds hung down, mirroring their ragged masses in pools and puddles. Here and there were structures of brick, all half finished. One had no roof and another no windows. Everywhere were mortar-pits full of white mortar, and tools lay on the ground--trowels and spirit-levels and shovels and spades; also barrows and beams. No human being was in sight. The loneliness was damp and mouldy and ugly, and seemed to be waiting for man. All objects shared that tense and menacing mood of expectancy--the thin light falling from the ragged clouds, the marshy fluid in the ruts, the trees which were like dead, gigantic insects thrown on their backs, the unfinished brick structures, the mortar-pits and tools.