The World's Illusion, Volume 2 (of 2): RuthWassermann, Jakob
General
The World's Illusion, Volume 2 (of 2): Ruth
Wassermann, Jakob
German fiction -- Translations into English
Karen went on: “He was a painter, a real one, an artist. His home was
in Jutland; he was lean and very fair. In those days my hair was just
the colour of his. He had an aunt living in Königsberg, and he was glad
to stay with her a while, because he was hard up. But when I was lying
in the charity home to which they’d removed me, he got the news from
Copenhagen that he’d been given a stipend by the state of two thousand
talers for two years. He asked me if I wouldn’t like to go with him.
He meant to go to Belgium to a famous painter who was living somewhere
on the French frontier. He wanted to study with him, like others who
were already there. Well, he said he was fond of me, and I said that
was all very nice, and asked him if he knew the sort of woman I was.
He said he didn’t want to know anything, and all I’d have to do was to
have confidence in him. So I thought to myself, ‘Here’s one that’s got
a heart,’ and I grew to be fond of him too. I’d never cared for any man
yet; he was the first, and he was the last too. And so I went away with
him. The great painter lived in a French village, and we moved to a
little town called Wassigny not far from there. Larsen rented a little
house. Every morning he’d ride over to the village on his bicycle;
if the weather was bad he walked. It was half an hour’s walk. In the
evening he’d come back, and we’d have a nice little dinner and tea and
chat. And he’d get real enthusiastic, and tell me how he loved painting
here--the trees and the fields and the peasants and the miners and the
river and the sky, and I don’t know what all. I didn’t understand that,
of course; but what I understood was that I felt as I’d never felt
before in life. I couldn’t believe it when I woke up in the morning;
I couldn’t believe it when the neighbours smiled at me. Near the
village there was a pool with water lilies, and I used to go often and
often and look at it. I’d never seen anything like that before, and I
couldn’t rightly believe in it. I knew that couldn’t last; it wasn’t
possible that it could last long. And sure enough, in August, Adam took
to his bed one day. He had a fever, and it got worse and worse; and in
six days he was dead. That was the end of everything. That was the end
of everything.”
Her hands kept clutching her hair, and for the third time she said:
“That was the end of everything.”
“And then?” Christian whispered.
She looked at him, and every muscle in her face quivered: “Then? Oh,
the things that happened then ... then...!”
“Couldn’t you somehow find a way of life without ... without ...”
Christian stammered, frightened by the blind, white rage in her face.
She clenched her fists and cried so loud that her words re-echoed from
the walls: “Oh, then! The things that happened then!”
Her whole body quivered. “Don’t touch me,” she said with a nervous
start.
Christian had not touched her at all.
“Go on now,” she said. “I’m tired. I’ve got to sleep.” She got up.
Public-domain text, read in full here on John Shaqi.
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