The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American LiteratureDelphian Society
History
The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American Literature
Delphian Society
Civilization -- History; World history
The yearly departure of the caravan for Mecca is a remarkable sight.
Every true Mohammedan hopes to some day make a pilgrimage to
Mecca--the sacred city of his prophet. Each year those who are able
set out upon their journey. A carpet which has been woven for this
purpose is sent to the sacred shrine, to take the place of the one
placed there the previous year. The procession of pilgrims winds
through the streets of Cairo, witnessed by the entire population, who
throng the streets to catch sight of the carpet and, if possible, to
touch it Reaching Mecca, the carpet which has absorbed holiness during
the past year is torn up, the pieces being distributed among the
pilgrims, who treasure them as their dearest possessions.
Upon his return home, each pilgrim is looked upon with envy and honor
by his Mohammedan brethren. He and all who behold him know that his
entrance into Paradise is secure; henceforward he is distinguished for
his piety, and those less fortunate can but dream of the day when
they, too, may be able to follow his worthy example.
THE EGYPTIAN MUSEUM.
Only in comparatively recent years have antiquities been adequately
prized or cared for. Early in the nineteenth century Lord Elgin, then
on diplomatic service to Turkey, was so dismayed by the spectacle of
Parthenon fragments lying about unprotected on the Acropolis at
Athens, that he succeeded in obtaining permission from the Sublime
Porte to remove them to England. Subsequently the British Museum
purchased them from him for much less than had been the expense
incurred in removing and exporting them from Greece. Similarly,
valuable recoveries in Egypt were left for private individuals to take
away as they saw fit; sometimes they were finally collected by
national museums, but quite as often they became the possessions of
the favored few, or in some cases were even wholly lost.
In 1863 Mariette obtained the exclusive right to excavate in Egypt He
also awakened the government to the need of placing all recoveries
under its exclusive control. Since the time of Napoleon scarcely a
vessel had left Alexandria without carrying some priceless treasure to
be added to the collections of the Louvre or the British Museum. In
1878 Mariette founded the Egyptian Museum at Balak, and for a long
time it was known as the Balak Museum.
Although small and without the slightest protection against fire, it
nevertheless provided a place for antiques; some were merely stored in
sheds, for lack of room, and others remained unclassified because
there was no opportunity to display them. In 1889 the need for another
building was keenly felt. Egypt could not build at this time, but the
Palace of Gizeh was placed at the disposal of the collection. While
somewhat larger than Balak, it was neither commodious nor safe.
Public-domain text, read in full here on John Shaqi.
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