On the first day of April, 1897, the corner stone of a national museum was laid in Cairo by the Khedive. This substantial and fireproof building, constructed at a cost of almost $900,000, was completed November 15, 1902, and is now the repository of the largest and most valuable collection of Egyptian antiquities in the world. This museum has been fortunate in its curators--all men of scholarly attainments and well versed in Egyptian history. Mariette was succeeded by M. Maspero, whose voluminous work upon Egyptian history is well known to many. Later he resigned this position to resume his literary work in Europe, only to return by a fortunate circumstance in 1899, in time to supervise the transfer of the many priceless treasures to their present abode. Leaving the busy streets of Cairo, one turns from Mohammedan to ancient Egypt. On every hand the past looms up; pharaohs and beings of a period far remote populate this little world, and so far as life can express itself in material things, these are available for examination and study. The plan followed in the arrangement is the chronological one used also in the earlier buildings. The heavier objects have been given place on the ground floor; the lighter and smaller articles on the floor above. The first six rooms on the ground floor are devoted to the remains of the Old Empire--particularly of the fourth, fifth and sixth dynasties. The diorite statue of Khafra, so often shown in prints, is here; also the squatting statue of a scribe, second only in beauty to the one in the Louvre. The next series of rooms are given over to the remains of the Middle Empire. The statue of Amenemhet III, of the twelfth dynasty, is worthy of special mention. Moreover, statues and sphinxes of the Hyksos period are also found here. The New Empire left evidences of regal splendor, eclipsing all earlier periods; gilded chairs, chariots, dishes of gold and silver, as well as statues of the kings themselves attract attention. Other rooms record Egypt's decay--when Ethiopians ruled the land; the period of Egyptian Renaissance, productive of wonderful sculpture; the coming of Alexander and Greek supremacy; the period of Roman rule; and finally Byzantine Egypt. The second floor is the treasure house for the more varied remains. One may see the mummies of the priests of Ammon, funerary furniture, dolls and other toys, alabaster vases, domestic furniture, funerary barks, terra-cottas of the Græco-Roman period, statues of the gods, amulets and "answerers" and, most imposing of all perhaps, the royal mummies. In one of the rooms is an example of the finest surviving Egyptian painting: a picture of geese feeding. This, like other paintings of ancient Egypt, was found in an old tomb.