The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American LiteratureDelphian Society
History
The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American Literature
Delphian Society
Civilization -- History; World history
"Red--and particularly yellowish red--is the favorite color of the
primitive as it is the favorite color of nearly all peoples. We need
only observe our children to satisfy ourselves how little taste on this
point has changed. In every box of water colors the saucer that contains
the cinnabar red is the first one emptied; and 'if a child expresses a
particular liking for a color, it is nearly always a bright dazzling
red. Even adults, notwithstanding the modern impoverishment and blunting
of the color sense, still, as a rule, feel the charm of red.'... It may
be questioned whether the strong effect of red is called out by the
direct impression of the color, or by certain associations. Many
animals have a feeling for red similar to that of man. Every child knows
that the sight of a red cloth drives oxen and turkeys into the most
passionate excitement.... As to the primitive peoples, one circumstance
is here significant above all others. Red is the color of blood, and men
see it, as a rule, precisely when their emotional excitement is
greatest--in the heat of the chase and of the battle. In the second
place, all the ideas that are associated with the use of the red color
come strongly into play--recollections of the excitement of the dance
and combat. Notwithstanding all these considerations, painting with red
would hardly have been so generally diffused in the lowest stages of
civilization if the red coloring material had not been everywhere so
easily and so abundantly procurable. Probably the first red with which
the primitive man painted himself was nothing else than the blood of the
wild beast or the enemy he had slain. At present most of the decoration
is done with a red ochre, which is very abundant nearly everywhere, and
is commonly obtained through exchange by those tribes in whose territory
it is wanting."[4]
The difficulty found in this means of decoration is that it is not
lasting. However skillfully the savage covers himself with solid
coloring or design, a short time only and his labor is effaced. To
overcome this trouble, tattooing was devised. By this means the color
was placed beneath the skin and thus not subject to change. Very
elaborate patterns were sometimes worked out and the man so ornamented
was far more attractive in the eyes of his fellowmen.
Public-domain text, read in full here on John Shaqi.
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