Imaginary wars and battles -- Fiction; Nuclear warfare -- Fiction; War stories
Not to talk, to remain impassive and as far as possible in profile;
these were the lessons that old Dubois had mastered years ago. To seem
to know all, to betray no surprise, to refuse to hurry—itself a
confession of miscalculation; by attention to these simple rules,
Dubois had built up a steady reputation from the days when he had been
a promising junior officer, a still, almost abstracted young man,
deliberate but ready. Even then men had looked at him and said: ‘He
will go far.’ Through fifty years of peace he had never once been found
wanting, and at manœuvres his impassive persistence had perplexed and
hypnotised and defeated many a more actively intelligent man. Deep in
his soul Dubois had hidden his one profound discovery about the modern
art of warfare, the key to his career. And this discovery was that
_nobody knew_, that to act therefore was to blunder, that to talk was
to confess; and that the man who acted slowly and steadfastly and above
all silently, had the best chance of winning through. Meanwhile one fed
the men. Now by this same strategy he hoped to shatter those mysterious
unknowns of the Central European command. Delhi might talk of a great
flank march through Holland, with all the British submarines and
hydroplanes and torpedo craft pouring up the Rhine in support of it;
Viard might crave for brilliance with the motor bicycles, aeroplanes,
and ski-men among the Swiss mountains, and a sudden swoop upon Vienna;
the thing was to listen—and wait for the other side to begin
experimenting. It was all experimenting. And meanwhile he remained in
profile, with an air of assurance—like a man who sits in an automobile
after the chauffeur has had his directions.
And every one about him was the stronger and surer for that quiet face,
that air of knowledge and unruffled confidence. The clustering lights
threw a score of shadows of him upon the maps, great bunches of him,
versions of a commanding presence, lighter or darker, dominated the
field, and pointed in every direction. Those shadows symbolised his
control. When a messenger came from the wireless room to shift this or
that piece in the game, to replace under amended reports one Central
European regiment by a score, to draw back or thrust out or distribute
this or that force of the Allies, the Marshal would turn his head and
seem not to see, or look and nod slightly, as a master nods who
approves a pupil’s self-correction. ‘Yes, that’s better.’
How wonderful he was, thought the woman at the window, how wonderful it
all was. This was the brain of the western world, this was Olympus with
the warring earth at its feet. And he was guiding France, France so
long a resentful exile from imperialism, back to her old predominance.
It seemed to her beyond the desert of a woman that she should be
privileged to participate....
It is hard to be a woman, full of the stormy impulse to personal
devotion, and to have to be impersonal, abstract, exact, punctual. She
must control herself....
Public-domain text, read in full here on John Shaqi.
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