The worship of the Church, and the beauty of holiness — John Shaqi
The worship of the Church, and the beauty of holinessRegester, J. A. (Jacob Asbury)
Religion
The worship of the Church, and the beauty of holiness
Regester, J. A. (Jacob Asbury)
Christian art and symbolism; Church decoration and ornament; Church vestments; Public worship
In the tower are the bells, and what the spire with its uplifted Cross
says to us in silent eloquence these say in sound and music.
The office of the bell in calling to prayer and holy worship was
regarded in olden time with much reverence. The use of bells for the
purpose of gathering people together in large numbers appears to be of
Christian origin. "Large bells hung in a tower seem to have been
unknown before A.D. 500. They were first made in Campania in Italy,
whence the Italian name _campana_, a bell, and _campanile_, a
bell-tower. Bells were anciently supposed to have considerable powers,
especially against evil spirits. Their use for religious purposes
probably originated this belief. The hand-bells of the British
apostles, St. Patrick, St. Columba, St. David, etc., are said to have
been long preserved, if not existing even now. They are four-sided
bronze bells, sometimes of several plates fused into one. St. Patrick
is said by an old legend to have dispersed a host of demons, who were
too bold to be scared by the mere ringing of the bell, by flinging it
into the midst of them.
"Bells in the middle ages were sometimes {20} dedicated to saints.
They were christened with all the usual ceremonies and with much pomp;
sponsors were provided, the bell was sprinkled at the font, anointed
with oil, and robed in a chrisom. Superstitious as these customs would
seem now, there is something fine in the simple faith which thus, in
those more poetic days, consecrated to God's service the voices which
should proclaim Him far and wide over the land." In simpler form, the
custom is still frequently observed of setting apart by solemn prayer
and benediction the bells which are to call men to prayer or to ring
out the praises of God.
Church bells are frequently marked by appropriate inscriptions. The
following, for instance, was very common in the middle ages, all these
powers being attributed to bells:
"Funera plango, Fulgura trango, Sabbata pango,
Excito lentos, Dissipo ventos, Paco cruentos."
"I mourn the dead, I break the lightning, I announce the Sabbath,
I excite the slothful, I disperse the winds, I appease the cruel."
As instances of modern inscriptions we have the following: "Bethlehem,
Calvary, Bethany." "We welcome the infant to the Font. We invite the
{21} youth to Confirmation. We invoke the faithful to the Holy
Communion." "Joyful our peal for the bridal; mournful our plaint for
the dead."
Let us turn now to the inside of the church and inquire as to the
spiritual significance which has become associated with its several
parts.
The church is divided into two main portions--the body of the church
and the chancel. This represents the whole Catholic Church, divided
into those on earth and those who have passed into Paradise. The body
of the church, representing those on earth, is divided again into two
parts--the nave and transepts. And these have each their special
religious associations and suggestiveness.
Public-domain text, read in full here on John Shaqi.
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