The Worst Joke in the WorldHolding, Elisabeth Sanxay
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The Worst Joke in the World
Holding, Elisabeth Sanxay
Families -- Fiction; Mothers-in-law -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
The Worst Joke in the World
A STORY WHICH THROWS A NEW AND INTERESTING LIGHT
UPON THE TIME-HONORED PROBLEM OF
THE MOTHER-IN-LAW
By Elisabeth Sanxay Holding
Mrs. Champney was putting the very last things into her bag, and Mrs.
Maxwell and Mrs. Deane sat watching her. The room in which she had
lived for nearly four years was already strange and unfamiliar. The
silver toilet articles were gone from the bureau. The cupboard door
stood open, showing empty hooks and shelves. The little water colors
of Italian scenes had vanished from the walls, and the books from the
table. All those things were gone which had so charmed and interested
Mrs. Maxwell and Mrs. Deane.
They were old ladies, and to them Jessica Champney at fifty was not
old at all. With her gayety, her lively interest in life, and her
dainty clothes, she seemed to them altogether young—girlish, even, in
her enthusiastic moments, and always interesting. They loved and
admired her, and were heavy-hearted at her going.
“You’ve forgotten the pussy cat, Jessica,” Mrs. Maxwell gravely
remarked.
“Oh, so I have!” said Mrs. Champney.
Hanging beside the bureau was a black velvet kitten with a strip of
sandpaper fastened across its back, and underneath it the inscription:
SCRATCH MY BACK
It was intended, of course, for striking matches. As Mrs. Champney
never had occasion to strike a match, this little object was not
remarkably useful. Nor, being a woman of taste, would she have
admitted that it was in the least ornamental; but it was precious to
her—so precious that a sob rose in her throat as she took it down from
the wall.
She showed a bright enough face to the old ladies, however, as she
carried the kitten across the room and laid it in the bag. She had
often talked to these old friends about her past—about her two
heavenly winters in Italy, about her girlhood “down East,” about all
sorts of lively and amusing things that she had seen and done; but she
had said very, very little about the period to which the velvet kitten
belonged.
It had been given to her in the early days of her married life by a
grateful and adoring cook. It had hung on the wall of her bedroom in
that shabby, sunny old house in Connecticut where her three children
had been born. She could not think of that room unmoved, and she did
not care to talk of it to any one.
Not that it was sad to remember those bygone days. There was no trace
of bitterness in the memory. It was all tender and beautiful, and
sometimes she recalled things that made her laugh through the tears;
but even those things she couldn’t talk about.
Public-domain text, read in full here on John Shaqi.
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