The Wounded
By Philip José Farmer
Women wondered how he could be
so cruel--and so utterly charming.
[Transcriber's Note: This etext was produced from
Fantastic Universe October 1954.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
_The winged and shining fancy that hovers with irony-tipped talons
about the writings of Philip José Farmer needs no introduction to
our pages. We can no longer hail him as a brilliant new discovery,
for in two short years he has become an established writer with
a widely discussed novel to his credit. It seems peculiarly
appropriate that the author of_ THE LOVERS _should grace his
present theme with a wit barbed so entrancingly._
Those polaroid glasses they give you at the 3-D movies were the cause
of my downfall.
When the show was over I went into the lobby and stood there a moment
while I studied my schedule. I was supposed to go to a big party given
by one of the prime numbers of the Four Hundred. I didn't have an
invitation, but that never bothered me. Biggest gate-crasher in the
world, that's me.
I heard a gasp and looked up to see this beautiful young woman staring
at me. She had forgotten to take off her 3-D glasses and that, I
instantly realized, was the trouble. Somehow, the polarization was just
right to make me visible. Or let's say that I was always visible but
nobody recognized me.
The view she got enabled her eyes to make that subtle but necessary
shift and see me as I really am.
I thought, _I'd have to tell Mother about this_. Then I walked out
fast. I ignored her calls--she even addressed me by the right name,
though the accent was wrong--and I hopped into a taxi with my violin
case under my arm. I told the cabbie to lose the taxi in which she was
tailing me. He did, or seemed to.
As soon as I entered the penthouse, a house detective seized my arm. I
pointed to the violin case under my arm. His piggish eyes roved over it
as he munched upon a sandwich he held in his other hand. He was one of
the wounded, always eating to stuff the ache and the hollowness of it.
"Listen, kid," he said, "aren't you sort of young to be playing in an
orchestra?"
"I'm older than you think," I replied. "Besides, I'm not connected with
this orchestra."
"Oh, a soloist, heh? A child prodigy, heh?"
He was being sarcastic as many of the wounded are. I could pass for
twenty-five any day or night.
"You might call me that," I said truthfully.
"One of our hostess' cute little surprises, heh?" he growled, jerking a
thumb at the tall middle-aged woman standing in the middle of a group
of guests.
She happened at that moment to be looking at her husband. He had a
beautiful young thing backed into a corner and was talking in a very
intimate manner to her.
Public-domain text, read in full here on John Shaqi.
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