Dinner was no sooner at an end than he carried me across the road
to Masson's old studio. It was strangely changed. On the walls were
tapestry, a few good etchings, and some amazing pictures--a Rousseau, a
Corot, a really superb old Crome, a Whistler, and a piece which my host
claimed (and I believe) to be a Titian. The room was furnished with
comfortable English smoking-room chairs, some American rockers, and
an elaborate business table; spirits and soda-water (with the mark of
Schweppe, no less) stood ready on a butler's tray, and in one corner,
behind a half-drawn curtain, I spied a camp-bed and a capacious tub.
Such a room in Barbizon astonished the beholder, like the glories of the
cave of Monte Cristo.
“Now,” said he, “we are quiet. Sit down, if you don't mind, and tell me
your story all through.”
I did as he asked, beginning with the day when Jim showed me the passage
in the _Daily Occidental_, and winding up with the stamp album and the
Chailly postmark. It was a long business; and Carthew made it longer,
for he was insatiable of details; and it had struck midnight on the old
eight-day clock in the corner, before I had made an end.
“And now,” said he, “turn about: I must tell you my side, much as I hate
it. Mine is a beastly story. You'll wonder how I can sleep. I've told it
once before, Mr. Dodd.”
“To Lady Ann?” I asked.
“As you suppose,” he answered; “and to say the truth, I had sworn never
to tell it again. Only, you seem somehow entitled to the thing; you have
paid dear enough, God knows; and God knows I hope you may like it, now
you've got it!”
With that he began his yarn. A new day had dawned, the cocks crew in the
village and the early woodmen were afoot, when he concluded.
CHAPTER XXII. THE REMITTANCE MAN.
Singleton Carthew, the father of Norris, was heavily built and feebly
vitalised, sensitive as a musician, dull as a sheep, and conscientious
as a dog. He took his position with seriousness, even with pomp; the
long rooms, the silent servants, seemed in his eyes like the observances
of some religion of which he was the mortal god. He had the stupid man's
intolerance of stupidity in others; the vain man's exquisite alarm lest
it should be detected in himself. And on both sides Norris irritated and
offended him. He thought his son a fool, and he suspected that his son
returned the compliment with interest. The history of their relation was
simple; they met seldom, they quarrelled often. To his mother, a fiery,
pungent, practical woman, already disappointed in her husband and her
elder son, Norris was only a fresh disappointment.
Public-domain text, read in full here on John Shaqi.
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