hands and with the same irrational fervour--these appeared to be the
chief articles of his creed. In later days (not of course upon this
first occasion) I would sometimes ask him why; and he had his answer
pat. “To build up the type!” he would cry. “We're all committed to that;
we're all under bond to fulfil the American Type! Loudon, the hope of
the world is there. If we fail, like these old feudal monarchies, what
is left?”
The trade of a tin-typer proved too narrow for the lad's ambition; it
was insusceptible of expansion, he explained, it was not truly modern;
and by a sudden conversion of front, he became a railroad-scalper. The
principles of this trade I never clearly understood; but its essence
appears to be to cheat the railroads out of their due fare. “I threw my
whole soul into it; I grudged myself food and sleep while I was at it;
the most practised hands admitted I had caught on to the idea in a month
and revolutionised the practice inside of a year,” he said. “And there's
interest in it, too. It's amusing to pick out some one going by, make up
your mind about his character and tastes, dash out of the office and hit
him flying with an offer of the very place he wants to go to. I don't
think there was a scalper on the continent made fewer blunders. But I
took it only as a stage. I was saving every dollar; I was looking
ahead. I knew what I wanted--wealth, education, a refined home, and a
conscientious, cultured lady for a wife; for, Mr. Dodd”--this with
a formidable outcry--“every man is bound to marry above him: if the
woman's not the man's superior, I brand it as mere sensuality. There was
my idea, at least. That was what I was saving for; and enough, too! But
it isn't every man, I know that--it's far from every man--could do what
I did: close up the livest agency in Saint Jo, where he was coining
dollars by the pot, set out alone, without a friend or a word of French,
and settle down here to spend his capital learning art.”
“Was it an old taste?” I asked him, “or a sudden fancy?”
“Neither, Mr. Dodd,” he admitted. “Of course I had learned in my
tin-typing excursions to glory and exult in the works of God. But it
wasn't that. I just said to myself, What is most wanted in my age and
country? More culture and more art, I said; and I chose the best place,
saved my money, and came here to get them.”
The whole attitude of this young man warmed and shamed me. He had more
fire in his little toe than I had in my whole carcase; he was stuffed to
bursting with the manly virtues; thrift and courage glowed in him; and
even if his artistic vocation seemed (to one of my exclusive tenets) not
quite clear, who could predict what might be accomplished by a creature
so full-blooded and so inspired with animal and intellectual energy? So,
when he proposed that I should come and see his work (one of the regular
stages of a Latin Quarter friendship), I followed him with interest and
hope.
Public-domain text, read in full here on John Shaqi.
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