The Writer, Volume VI, April 1892.: A Monthly Magazine to Interest and Help All Literary WorkersVarious
General
The Writer, Volume VI, April 1892.: A Monthly Magazine to Interest and Help All Literary Workers
Various
Literature -- Periodicals
"=Cenotaph.="--We are told that a cenotaph is a monument "in memory of
one buried elsewhere"--otherwise, "an empty tomb." A recent number of a
popular magazine contains an article on "Memorials of Edgar Allen Poe."
When the author asked to be directed to the grave of the poet, the
sexton pointed to the cenotaph of white marble in the corner at the
intersection of two streets, and we are told that "the remains" were
"transferred to this more conspicuous spot from the family lot in the
rear of the church." Are not "high-sounding" words too often used
without reference to their suitableness? Mr. Pecksniff called his
daughter "a playful warbler,"--not that she was, we are told, "at all
vocal," but that Mr. Pecksniff was in the habit of using a word that
rounded a sentence well.
P. MCA. C.
EAST BRIDGEWATER, Mass.
BOOK REVIEWS.
LETTERS OF CHARLES DICKENS TO WILKIE COLLINS. Edited by Lawrence
Hutton. With Portraits and Fac-similes. 171 pp. Cloth, $1.00. New
York: Harper & Brothers. 1892.
The friendship between Charles Dickens and Wilkie Collins began when
Dickens was nearly forty, and Collins about twenty-five years of age.
Ten years later the marriage of the daughter of Dickens to the brother
of Collins cemented the intimacy then begun, and it continued unbroken
until the death of Dickens, in 1870. Part of the familiar correspondence
between the two men was printed in "The Letters of Charles Dickens"; but
many more letters from Dickens were found after the death of Collins,
and from these Miss Hogarth selected the specimens that make up the
present volume. As Mr. Hutton says in his introduction: "They not only
show their writer as he was willing to show himself to the man whom he
loved, but they give an excellent idea of his methods of collaboration
with the man whom he had selected from all others as an active partner
in certain of his creative works." The replies from Collins cannot be
printed, since it was Dickens' rule to destroy every letter he received,
not on actual business. It is fortunate that his correspondents did not
do the same with his letters, so great is the interest of everything
that he put on paper: as Mr. Hutton happily puts it: "It is greatly to
be regretted that he did not write letters to himself--like his own Mr.
Toots--and preserve them all."
The letters included in the present volume are so interesting that the
temptation is strong to reprint many extracts from them. They give
charming glimpses of Dickens' personality, and illustrate the literary
ideas and methods of work of two famous story-writers. Mr. Hutton
connects the letters with all necessary explanations, and has performed
his work as editor with admirable skill. A good portrait of Dickens, a
better one of Collins, and some interesting fac-similes illustrate the
book.
W. H. H.
Public-domain text, read in full here on John Shaqi.
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