The writings of Clement of Alexandria, Vol. 1 (of 2)Clement, of Alexandria, Saint
Religion
The writings of Clement of Alexandria, Vol. 1 (of 2)
Clement, of Alexandria, Saint
Theology -- Early works to 1800; Theology -- History -- Early Church, ca. 30-600
roots and plants, so also have flowers their individual properties,
some beneficial, some injurious, some also dangerous. The ivy is
cooling; nux emits a stupefying effluvium, as the etymology shows. The
narcissus is a flower with a heavy odour; the name evinces this, and it
induces a torpor (νάρκην) in the nerves. And the effluvia of roses and
violets being mildly cool, relieve and prevent headaches. But we who
are not only not permitted to drink with others to intoxication, but
not even to indulge in much wine, do not need the crocus or the flower
of the cypress to lead us to an easy sleep. Many of them also, by their
odours, warm the brain, which is naturally cold, volatilizing the
effusions of the head. The rose is hence said to have received its name
(ῥόδον) because it emits a copious stream (ῥεῦμα) of odour (ὀδωδή).
Wherefore also it quickly fades.
But the use of crowns did not exist at all among the ancient Greeks;
for neither the suitors nor the luxurious Phæaceans used them. But at
the games there was at first the gift to the athletes; second, the
rising up to applaud; third, the strewing with leaves; lastly, the
crown, Greece after the Median war having given herself up to luxury.
Those, then, who are trained by the Word are restrained from the use
of crowns; and do not think that this Word, which has its seat in the
brain, ought to be bound about, not because the crown is the symbol
of the recklessness of revelry, but because it has been dedicated to
idols. Sophocles accordingly called the narcissus “the ancient coronet
of the great gods,” speaking of the earth-born divinities; and Sappho
crowns the Muses with the rose:
“For thou dost not share in roses from Pieria.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account