The writings of Clement of Alexandria, Vol. 1 (of 2)Clement, of Alexandria, Saint
Religion
The writings of Clement of Alexandria, Vol. 1 (of 2)
Clement, of Alexandria, Saint
Theology -- Early works to 1800; Theology -- History -- Early Church, ca. 30-600
There is, too, another beauty of men--love. “And love,” according
to the apostle, “suffers long, and is kind; envieth not; vaunteth
not itself, is not puffed up.”[629] For the decking of one’s self
out--carrying, as it does, the look of superfluity and uselessness--is
vaunting one’s self. Wherefore he adds, “doth not behave itself
unseemly:” for a figure which is not one’s own, and is against nature,
is unseemly; but what is artificial is not one’s own, as is clearly
explained: “seeketh not,” it is said, “what is not her own.” For truth
calls that its own which belongs to it; but the love of finery seeks
what is not its own, being apart from God, and the Word, from love.
And that the Lord Himself was uncomely in aspect, the Spirit testifies
by Esaias: “And we saw Him, and He had no form nor comeliness; but
His form was mean, inferior to men.”[630] Yet who was more admirable
than the Lord? But it was not the beauty of the flesh visible to the
eye, but the true beauty of both soul and body, which He exhibited,
which in the former is beneficence; in the latter--that is, the
flesh--immortality.
CHAPTER II.
AGAINST EMBELLISHING THE BODY.
It is not, then, the aspect of the outward man, but the soul that is
to be decorated with the ornament of goodness; we may say also the
flesh with the adornment of temperance. But those women who beautify
the outside, are unawares all waste in the inner depths, as is the case
with the ornaments of the Egyptians; among whom temples with their
porticos and vestibules are carefully constructed, and groves and
sacred fields adjoining; the halls are surrounded with many pillars;
and the walls gleam with foreign stones, and there is no want of
artistic painting; and the temples gleam with gold, and silver, and
amber, and glitter with parti-coloured gems from India and Ethiopia;
and the shrines are veiled with gold-embroidered hangings.
But if you enter the penetralia of the enclosure, and, in haste to
behold something better, seek the image that is the inhabitant of the
temple, and if any priest of those that offer sacrifice there, looking
grave, and singing a pæan in the Egyptian tongue, remove a little of
the veil to show the god, he will give you a hearty laugh at the object
of worship. For the deity that is sought, to whom you have rushed, will
not be found within, but a cat, or a crocodile, or a serpent of the
country, or some such beast unworthy of the temple, but quite worthy of
a den, a hole, or the dirt. The god of the Egyptians appears a beast
rolling on a purple couch.
So those women who wear gold, occupying themselves in curling at their
locks, and engaged in anointing their cheeks, painting their eyes, and
dyeing their hair, and practising the other pernicious arts of luxury,
decking the covering of flesh,--in truth, imitate the Egyptians, in
order to attract their infatuated lovers.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account