The writings of Clement of Alexandria, Vol. 1 (of 2)Clement, of Alexandria, Saint
Religion
The writings of Clement of Alexandria, Vol. 1 (of 2)
Clement, of Alexandria, Saint
Theology -- Early works to 1800; Theology -- History -- Early Church, ca. 30-600
Others say that the Serapis was a Pontic idol, and was transported
with solemn pomp to Alexandria. Isidore alone says that it was brought
from the Seleucians, near Antioch, who also had been visited with
a dearth of corn, and had been fed by Ptolemy. But Athenodorus the
son of Sandon, while wishing to make out the Serapis to be ancient,
has somehow slipped into the mistake of proving it to be an image
fashioned by human hands. He says that Sesostris the Egyptian king,
having subjugated the most of the Hellenic races, on his return to
Egypt brought a number of craftsmen with him. Accordingly he ordered
a statue of Osiris, his ancestor, to be executed in sumptuous style;
and the work was done by the artist Bryaxis, not the Athenian, but
another of the same name, who employed in its execution a mixture of
various materials. For he had filings of gold, and silver, and lead,
and in addition, tin; and of Egyptian stones not one was wanting, and
there were fragments of sapphire, and hematite, and emerald, and topaz.
Having ground down and mixed together all these ingredients, he gave
to the composition a blue colour, whence the darkish hue of the image;
and having mixed the whole with the colouring matter that was left over
from the funeral of Osiris and Apis, moulded the Serapis, the name of
which points to its connection with sepulture and its construction
from funeral materials, compounded as it is of Osiris and Apis, which
together make Osirapis.
Another new deity was added to the number with great religious pomp
in Egypt, and was near being so in Greece by the king of the Romans,
who deified Antinous, whom he loved as Zeus loved Ganymede, and whose
beauty was of a very rare order: for lust is not easily restrained,
destitute as it is of fear; and men now observe the sacred nights of
Antinous, the shameful character of which the lover who spent them
with him knew well. Why reckon him among the gods, who is honoured on
account of uncleanness? And why do you command him to be lamented as a
son? And why should you enlarge on his beauty? Beauty blighted by vice
is loathsome. Do not play the tyrant, O man, over beauty, nor offer
foul insult to youth in its bloom. Keep beauty pure, that it may be
truly fair. Be king over beauty, not its tyrant. Remain free, and then
I shall acknowledge thy beauty, because thou hast kept its image pure:
then will I worship that true beauty which is the archetype of all who
are beautiful. Now the grave of the debauched boy is the temple and
town of Antinous. For just as temples are held in reverence, so also
are sepulchres, and pyramids, and mausoleums, and labyrinths, which
are temples of the dead, as the others are sepulchres of the gods. As
teacher on this point, I shall produce to you the Sybil prophetess:
Public-domain text, read in full here on John Shaqi.
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