The writings of Clement of Alexandria, Vol. 1 (of 2)Clement, of Alexandria, Saint
Religion
The writings of Clement of Alexandria, Vol. 1 (of 2)
Clement, of Alexandria, Saint
Theology -- Early works to 1800; Theology -- History -- Early Church, ca. 30-600
his collar-bone was broken, and he had a lame leg, and had one of his
eyes knocked out. And again that of Demetrius, who was raised to the
rank of the gods; and where he alighted from his horse on his entrance
into Athens is the temple of Demetrius _the Alighter_; and altars
were raised to him everywhere, and nuptials with Athene assigned to him
by the Athenians. But he disdained the goddess, as he could not marry
the statue; and taking the courtesan Lamia, he ascended the Acropolis,
and lay with her on the couch of Athene, showing to the old virgin the
postures of the young courtesan.
There is no cause for indignation, then, at Hippo, who immortalized his
own death. For this Hippo ordered the following elegy to be inscribed
on his tomb:
“This is the sepulchre of Hippo, whom Destiny
Made, through death, equal to the immortal gods.”
Well done, Hippo! thou showest to us the delusion of men. If they did
not believe thee speaking, now that thou art dead, let them become thy
disciples. This is the oracle of Hippo; let us consider it. The objects
of your worship were once men, and in process of time died; and fable
and time have raised them to honour. For somehow, what is present
is wont to be despised through familiarity; but what is past, being
separated through the obscurity of time from the temporary censure
that attached to it, is invested with honour by fiction, so that the
present is viewed with distrust, the past with admiration. Exactly in
this way is it, then, that the dead men of antiquity, being reverenced
through the long prevalence of delusion respecting them, are regarded
as gods by posterity. As grounds of your belief in these, there are
your mysteries, your solemn assemblies, bonds and wounds, and weeping
deities.
“Woe, woe! that fate decrees my best-belov’d,
Sarpedon, by Patroclus’ hand to fall.”[56]
The will of Zeus was overruled; and Zeus being worsted, laments for
Sarpedon. With reason, therefore, have you yourselves called them
shades and demons, since Homer, paying Athene and the other divinities
sinister honour, has styled them demons:
“She her heavenward course pursued
To join the immortals in the abode of Jove.”[57]
How, then, can shades and demons be still reckoned gods, being in
reality unclean and impure spirits, acknowledged by all to be of an
earthy and watery nature, sinking downwards by their own weight, and
flitting about graves and tombs, about which they appear dimly, being
but shadowy phantasms? Such things are your gods--shades and shadows;
and to these add those maimed, wrinkled, squinting divinities the Litæ,
daughters of Thersites rather than of Zeus. So that Bion--wittily,
as I think--says, How in reason could men pray Zeus for a beautiful
progeny,--a thing he could not obtain for himself?
The incorruptible being, as far as in you lies, you sink in the earth;
and that pure and holy essence you have buried in the grave, robbing
the divine of its true nature.
Public-domain text, read in full here on John Shaqi.
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