The writings of Clement of Alexandria, Vol. 1 (of 2) — John Shaqi
The writings of Clement of Alexandria, Vol. 1 (of 2)Clement, of Alexandria, Saint
Religion
The writings of Clement of Alexandria, Vol. 1 (of 2)
Clement, of Alexandria, Saint
Theology -- Early works to 1800; Theology -- History -- Early Church, ca. 30-600
be found in unity and completeness only in Christ, as it was from Him
that all its scattered germs originally proceeded. The _Stromata_
are written carelessly, and even confusedly; but the work is one of
prodigious learning, and supplies materials of the greatest value for
understanding the various conflicting systems which Christianity had to
combat.
It was regarded so much as the author’s great work, that, on the
testimony of Theodoret, Cassiodorus, and others, we learn that Clement
received the appellation of Στρωματεύς (the Stromatist). In all
probability, the first part of it was given to the world about A.D.
194. The latest date to which he brings down his chronology in the
first book is the death of Commodus, which happened in A.D. 192; from
which Eusebius[6] concludes that he wrote this work during the reign of
Severus, who ascended the imperial throne in A.D. 193, and reigned till
A.D. 211. It is likely that the whole was composed ere Clement quitted
Alexandria in A.D. 202. The publication of the _Pædagogus_ preceded by
a short time that of the _Stromata_; and the _Cohortatio_ was written a
short time before the _Pædagogus_, as is clear from statements made by
Clement himself.
So multifarious is the erudition, so multitudinous are the quotations
and the references to authors in all departments, and of all countries,
the most of whose works have perished, that the works in question could
only have been composed near an extensive library--hardly anywhere
but in the vicinity of the famous library of Alexandria. They are a
storehouse of curious ancient lore,--a museum of the fossil remains of
the beauties and monstrosities of the world of pagan antiquity, during
all the epochs and phases of its history. The three compositions are
really parts of one whole. The central connecting idea is that of the
Logos--the Word--the Son of God; whom in the first work he exhibits
drawing men from the superstitions and corruptions of heathenism to
faith; in the second, as training them by precepts and discipline;
and in the last, as conducting them to that higher knowledge of the
things of God, to which those only who devote themselves assiduously
to spiritual, moral, and intellectual culture can attain. Ever before
his eye is the grand form of the living personal Christ,--the Word, who
“was with God, and who was God, but who became man, and dwelt among us.”
Of course there is throughout plenty of false science, and frivolous
and fanciful speculation.
Public-domain text, read in full here on John Shaqi.
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