The Yale Literary Magazine (Vol. I, No. 2, March 1836)Various
General
The Yale Literary Magazine (Vol. I, No. 2, March 1836)
Various
College students' writings, American -- Connecticut -- New Haven -- Periodicals; Yale University -- Periodicals
In conclusion: the benefit of thought is most manifest, in that proper
self-confidence, without which, there is no real dignity of character.
To be a growing man, is to be a confident one; and the secret of
greatness, lies in the consciousness of the ability to be great. We
should be sorry to advocate folly,—modesty, we are taught from our
cradles, is a virtue,—but by some unaccountable process, the thing has
got to signifying something, better designated sheepishness; and hence,
we have an _animal_ virtue. Different from these, however, are our ideas
of modesty. True modesty is that proper appreciation of one’s own
powers, which leads him never to offend, either by bashfulness or
presumption: now, who so likely to hit the mark, as he who knows the
strength of the bow. The workings of a great mind, conscious of its
capacities—and its aspirations for eminence, are, in distinction to the
greatness of little men, as opposite as possible—the one a mighty river,
always overflowing, and enriching the soil through which it moves, with
its abundant and generous fullness—the other an insignificant stream,
always within its banks, as grudging the smallest pittance to the scene
around. To be a modest man in a certain usage, is to be an ignorant
one—for to underrate one’s self, and be honest in it, is to show
ignorance of self; and he who knows not himself, has skipped the first
page in the book of wisdom: but to be a modest man in a right sense, is
to be a wise one—for it is a knowledge of self (which we suppose
constitutes a wise man) that enables one to seize upon and retain, his
proper station in society. It is this latter kind of modesty which is
commendable. It is that of great men. It is that which, meet it where we
will, we love to praise. Milton could stop, mid-word in one of his
loudest invectives against the rotten fabric of Episcopacy, and speak of
himself as ‘a poet sitting in the high regions of his fancy, with his
garlands and singing robes about him’—and, with voice like the wild note
of prophecy, proclaim ‘the great argument,’ as yet sleeping in the
darkness of his vision; and of his confidence to produce a work ‘that
posterity should not willingly let die.’ Was this folly? and yet, it was
a full appreciation of what the great God had given him. No! It was
knowledge—knowledge at home—knowledge gained by thought—the knowledge of
energies proud enough, to build up a colossal monument to posterity—_and
he did it_.
These are some of the advantages, we think, of a substantial knowledge
of ourselves; and when we look at the age, and see how headlong it is,
and how dangerously practical it is becoming; too much cannot be said,
and too loudly it cannot be spoken, that there is need of more
reflection, and more forethought.
ODE.
THE BIRTH OF POESY.
Public-domain text, read in full here on John Shaqi.
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