The Yale Literary Magazine (Vol. I, No. 5, July 1836)Various
General
The Yale Literary Magazine (Vol. I, No. 5, July 1836)
Various
College students' writings, American -- Connecticut -- New Haven -- Periodicals; Yale University -- Periodicals
This brother was a marked character. His person was manly, his voice
firm, and his countenance the index of a soul that showed plain enough
he was not born to be overlooked in the world. He was sensitive and
exceedingly proud, yet a nobler heart never knocked against the ribs
of mortality. But such a character as this is not calculated to gain
friends. He was too open--gave his opinions too freely--and his talents
were altogether too commanding and brilliant. Your popular fellows are
your middling ones. Lyle Selden was no middling fellow--you would find
it out by the first word that fell from him though he were half asleep
at the time, and though the subject were as trite as those about which
we witness the first volitation of your incipient poetasters. He was an
original--a marked man--and his opinions though they might be sneered
at, had nevertheless more weight than half the school put together. As
he was sensitive so was he often unhappy, and though he met the taunts
brought to his ears by his few real friends, with ‘I care not,’ yet
he _did_ care--his heart inly bled, and his lonely hours were often
embittered. As he was proud, this got him into difficulties; for though
it was quite the reverse of vanity and self was the last one he thought
of, yet it made his character a complex one which none understood
unless he chose to enlighten them, and this save to a few his pride
would not descend to. Hence he was thought callous and distant, when
in reality his heart was the seat of every gentler feeling; and to
those that _had_ skill to look beneath the surface, he was linked by
a friendship as unyielding as it was noble. But these were few, and
his character is best told in one sentence,--_he was respected and
disliked_.
His sister was an opposite character. She scarcely ever thought for
herself, and in person she was rather lovely than beautiful, and had
that touching feminineness about her which is rather to be felt than
told of. She was too gentle to be independent, one of those rare
specimens of loveliness that are shaped by associations, that can be
moulded into any thing by the energies of a master mind. In short, she
was too trusting, and had a spice of that credulous confidence in her
composition, which, if fortune does not try it sorely, makes a woman a
perfect nympholepsy and a vision.
Public-domain text, read in full here on John Shaqi.
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