The Yale Literary Magazine (Vol. LXXXIX, No. 1, 1923)Various
General
The Yale Literary Magazine (Vol. LXXXIX, No. 1, 1923)
Various
College students' writings, American -- Connecticut -- New Haven -- Periodicals; Yale University -- Periodicals
At supper Millicent saw to it that they were paired together. Looking
distastefully at the noisy tables, where already the customary
table-jokes were under way--spoons being laid in rows so that a tap
on one sent another into a glass of water, and misappropriation of
the salt and pepper (Bardy Cless and Evelyn Preston leading on the
humorists), she feared that she might lose him there to Joan Twist.
“Let’s go outside and have our supper in a car,” she suggested.
“There’s no room here.”
Tommy, politely overlooking the numerous empty places, was entirely
willing. He got cake and sandwiches, and two plates with cups of coffee
and chicken patties, and together they sped across the street to a
parked limousine that stood almost in the shadow of the cathedral.
He told her, in the course of the next few minutes, that she was
_quite_ as lovely as any girl in Richmond. The darkness, and
Millicent’s bare shoulder close against him, were effective.
And he was pleasantly surprised when he found that she had no desire to
be kissed.
“Why, I’ve only known you for two hours,” she said, dropping lightly
out of the car. “And besides, mother will be mad _again_ when she finds
that I’m not having supper at my own party. Last year Dick Cole and I
drove down to the chicken shack, and mother almost passed away when we
came back, eating drumsticks!”
They both forgot the débris of their supper, but later, after the party
was over, a very angry matron discovered it when she sat in a plate of
chicken, on entering her car to go home.
Long past midnight Millicent sat before her dressing table, thinking.
She took off the silver band around her hair, and with a brush began
to restore the fluffiness which the mode demands. A wisp which grew an
infinitesimal fraction of an inch longer, in front, than the rest she
critically snipped off with finger-nail scissors. She let her hands
rest on the table, and regarded her reflection. She was supremely
satisfied with what she saw; she always was. Her self-admiration
transcended egotism. It was impersonal. She was complacently certain
that she was the most beautiful girl in the city. The assurance of a
very few girls--and a very great number of men--was superfluous. Wilde
has said that love of oneself is a life-long romance: Millicent’s
was a passion! In the perfection of her features, a subtle coldness
of manner, a faint expression as of calculating, which her character
had betrayed into her eyes, was the nearest thing to a fault which
she could see. Such an expression must inevitably creep into the
expression of a girl who is the object of so much masculine attention
that she may--and perforce must--choose, and weigh, and reject, so
slighting the least attractive candidates. It was these who were most
aware of the expression--they remembered it vividly, in soothing their
disappointments.
Public-domain text, read in full here on John Shaqi.
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