tasteful weavers in the civilised world, was therefore obliged to import its manufactured gold and fine stuffs from abroad, whilst its own humbler citizens languished amidst the wealth they were not allowed to earn. No decrees could prevent rich people from squandering their money on dress, least of all when the Emperor and his Court were in a constant blaze of magnificence. Philip II., who in his later years usually wore black velvet trimmed with jet or bugles, with the simple chain of the Golden Fleece about his neck, was in his youth as splendid as his father; and the preparations for his voyage to England to marry Mary {225} Tudor in 1554 included the making of more solid magnificence in the way of dress than probably was ever made for one event in modern history. His son's valet[1] was of a literary turn of mind, and has left us a precise description of the dresses and trappings made for Philip and his army of courtiers--the flower of Spain--in which the language of extravagance is exhausted. Horse furniture, bed-hangings, canopies, quilts, and upholstery, as well as dress, were all of satin or velvet covered with gold embroidery and seed-pearls. There were twenty great nobles, Spaniards, Flemings, and Italians, each with scores of followers, all dressed in silks and satins with gold chains. Philip's German bodyguard, even, of 100 troopers, wore facings of silk on the gaudy red and yellow uniform of Aragon, and the common sailors of the fleet had crimson silk caps with white plumes. Some few amongst Philip's numerous suits may be mentioned as an example of the dresses then in vogue, although many of his nobles appear to have fully rivalled him in splendour. For some years, as has been shown, gold-embroidered dresses had been strictly prohibited; and Muñoz, in his description of the sartorial wonders prepared for the wedding, mentions the revival of gold embroidery as a novelty. Prince Philip had one suit consisting of surcoat, doublet, trunk-hose, and jacket of crimson velvet covered with little lozenges formed of twisted gold chains, the interstices being filled with a running sprig of silver braid, the leaves formed of silver filigree. The surcoat was lined with silver cloth of satin, embroidered in the same way. Another surcoat was of grey satin covered with alternate stripes {226} of applied gold chains and silver bugles. It was lined with stamped cloth of silver, and the doublet, trunks, and jacket were of white satin ornamented in the same way. Another "pretty suit," we are told, consisted of a French surcoat of black velvet embroidered all over with gold and silver bugles, the trunks and jacket being of crimson velvet, and the doublet of crimson satin with the same embroidery. One of his dresses consisted entirely of white silk velvet covered with a costly embroidery of gold filigree; and another had a surcoat of black velvet with a border of gold bugles and heavy twisted silver cords, the