The yellow book, an illustrated quarterly. Vol. 1, April 1894
General
The yellow book, an illustrated quarterly. Vol. 1, April 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
After all, the old prejudice is a-dying. We need not pry into the secret
of its birth. Rather is this a time of jolliness and glad indulgence.
For the era of rouge is upon us, and as only in an elaborate era can man
by the tangled accrescency of his own pleasures and emotions reach that
refinement which is his highest excellence, and by making himself, so to
say, independent of Nature, come nearest to God, so only in an elaborate
era is woman perfect. Artifice is the strength of the world, and in that
same mask of paint and powder, shadowed with vermeil tinct and most
trimly pencilled, is woman's strength.
For see! We need not look so far back to see woman under the direct
influence of Nature. Early in this century, our grandmothers, sickening
of the odour of faded exotics and spilt wine, came out into the daylight
once more and let the breezes blow around their faces and enter, sharp
and welcome, into their lungs. Artifice they drove forth, and they set
Martin Tupper upon a throne of mahogany to rule over them. A very reign
of terror set in. All things were sacrificed to the fetish Nature. Old
ladies may still be heard to tell how, when they were girls, affectation
was not; and, if we verify their assertion in the light of such literary
authorities as Dickens, we find that it is absolutely true. Women appear
to have been in those days utterly natural in their conduct--flighty,
gushing, blushing, fainting, giggling and shaking their curls. They knew
no reserve in the first days of the Victorian era. No thought was held
too trivial, no emotion too silly, to express. To Nature everything was
sacrificed. Great heavens! And in those barren days what influence was
exerted by women? By men they seem not to have been feared nor loved,
but regarded rather as "dear little creatures" or "wonderful little
beings," and in their relation to life as foolish and ineffectual as the
landscapes they did in water-colour. Yet, if the women of those years
were of no great account, they had a certain charm and they at least had
not begun to trespass upon men's ground; if they touched not thought,
which is theirs by right, at any rate they refrained from action, which
is ours. Far more serious was it when, in the natural trend of time,
they became enamoured of rinking and archery and galloping along the
Brighton Parade. Swiftly they have sped on since then from horror to
horror. The invasion of the tennis-courts and of the golf-links, the
seizure of the tricycle and of the type-writer, were but steps
preliminary in that campaign which is to end with the final victorious
occupation of St. Stephen's. But stay! The horrific pioneers of
womanhood who gad hither and thither and, confounding wisdom with the
device on her shield, shriek for the unbecoming, are doomed. Though they
spin their tricycle-treadles so amazingly fast, they are too late.
Though they scream victory, none follow them. Artifice, that fair exile,
has returned.
Public-domain text, read in full here on John Shaqi.
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