curve of the chin, the nervous trick of biting the moustache--aye and the hectic spot of red on either cheek--will be made spiflicate, as the puppets were spiflicated by Don Quixote. Yes, even now Demos begins to discern. The same spirit that has revived rouge, smote his mouth as it grinned at the wondrous painter of mist and river, and now sends him sprawling for the pearls that Meredith dived for in the deep waters of romance. Indeed the revival of cosmetics must needs be so splendid an influence, conjuring boons innumerable, that one inclines almost to mutter against that inexorable law by which Artifice must perish from time to time. That such branches of painting as the staining of glass or the illuminating of manuscripts should fall into disuse seems in comparison, so likely; these were esoteric arts; they died with the monastic spirit. But personal appearance is art's very basis. The painting of the face is the first kind of painting man can have known. To make beautiful things--is it not an impulse laid upon few? But to make oneself beautiful is an universal instinct. Strange that the resultant art could ever perish! So fascinating an art too! So various in its materials from stimmis, psimythium and fuligo to bismuth and arsenic, so simple in that its ground and its subject-matter are one, so marvellous in that its very subject-matter becomes lovely when an artist has selected it! For surely this is no idle nor fantastic saying. To deny that "making-up" is an art, on the pretext that the finished work of its exponents depends for beauty and excellence upon the ground chosen for the work, is absurd. At the touch of a true artist, the plainest face turns comely. As subject-matter the face is no more than suggestive, as ground, merely a loom round which the beatus artifex may spin the threads of any golden fabric: "Quae nunc nomen habent operosi signa Maronis Pondus iners quondam duraque massa fuit. Multa viros nescire decet; pars maxima rerum Offendat, si non interiora tegas," and, as Ovid would seem to suggest, by pigments any tone may be set aglow on a woman's cheek, from enamel the features take any form. Insomuch that surely the advocates of soup-kitchens and free-libraries and other devices for giving people what providence did not mean them to receive, should send out pamphlets in the praise of self-embellishment. For it will place Beauty within easy reach of many who could not otherwise hope to attain it.