The yellow book, an illustrated quarterly. Vol. 2, July 1894
General
The yellow book, an illustrated quarterly. Vol. 2, July 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Would you find Les Calais, take the high road from Jacques-le-Port to
the village of St. Gilles, then keep to the left of the schools along
a narrow lane cut between high hedges. It is a cart track only, as the
deep sun-baked ruts testify, leading direct from St. Gilles to
Vauvert, and, likely enough, during the whole of that distance you
will not meet with a solitary person. You will see nothing but the
green running hedgerows on either hand, the blue-domed sky above, from
whence the lark, a black pin-point in the blue, flings down a gush of
song; while the thrush you have disturbed lunching off that succulent
snail, takes short ground flights before you, at every pause turning
back an ireful eye to judge how much farther you intend to pursue him.
He is happy if you branch off midway to the left down the lane leading
straight to Les Calais.
A gable end of the house faces this lane, and its one window in the
days of Louis Renouf looked down upon a dilapidated farm- and
stable-yard, the gate of which, turned back upon its hinges, stood
wide open to the world. Within might be seen granaries empty of grain,
stables where no horses fed, a long cow-house crumbling into ruin, and
the broken stone sections of a cider trough dismantled more than half
a century back. Cushions of emerald moss studded the thatches, and
lilliputian forests of grass blades sprang thick between the cobble
stones. The place might have been mistaken for some deserted grange,
but for the contradiction conveyed in a bright pewter full-bellied
water-can standing near the well, in a pile of firewood, with chopper
still stuck in the topmost billet, and in a tatterdemalion troop of
barn-door fowl lagging meditatively across the yard.
On a certain day, when summer warmth and unbroken silence brooded over
all, and the broad sunshine blent the yellows, reds, and greys of tile
and stone, the greens of grass and foliage, into one harmonious whole,
a visitor entered the open gate. This was a tall, large young woman,
with a fair, smooth, thirty-year-old face. Dressed in what was
obviously her Sunday best, although it was neither Sunday nor even
market-day, she wore a bonnet diademed with gas-green lilies of the
valley, a netted black mantilla, and a velvet-trimmed violet silk
gown, which she carefully lifted out of dust's way, thus displaying a
stiffly starched petticoat and kid spring-side boots.
Such attire, unbeautiful in itself and incongruous with its
surroundings, jarred harshly with the picturesque note of the scene.
From being a subject to perpetuate on canvas, it shrunk, as it were,
to the background of a cheap photograph, or the stage adjuncts to the
heroine of a farce. The silence too was shattered as the new comer's
foot fell upon the stones. An unseen dog began to mouth a joyous
welcome, and the fowls, lifting their thin, apprehensive faces towards
her, flopped into a clumsy run as though their last hour were visible.
Public-domain text, read in full here on John Shaqi.
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