The yellow book, an illustrated quarterly. Vol. 2, July 1894
General
The yellow book, an illustrated quarterly. Vol. 2, July 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The best parlour then became a "drawing-room"; its raftered ceiling
was whitewashed, and its great centre-beam of oak infamously papered
to match the walls. The newly married couple were not in a position to
refurnish in approved Second Empire fashion. The gilt and marble, the
console tables and mirrors, the impossibly curved sofas and chairs,
were for the moment beyond them; the wife promised herself to acquire
these later on. But later on came a brood of sickly children (only one
of whom reached manhood); to the consequent expenses Les Calais owed
the preservation of its inlaid wardrobes, its four-post bedsteads with
slender fluted columns, and its Chippendale parlour chairs, the backs
of which simulate a delicious intricacy of twisted ribbons. As a
little girl, Louisa Poidevin had often amused herself studying these
convolutions, and seeking to puzzle out among the rippling ribbons
some beginning or some end; but as she grew up, even the simplest
problem lost interest for her, and the sight of the old Chippendale
chairs standing along the walls of the large parlour scarcely stirred
her bovine mind now to so much as reminiscence.
It was the door of this large parlour that the housekeeper opened as
she announced, "Here is Mrs. Pedvinn come to see you, sir," and
followed the visitor in.
Sitting in a capacious "berceuse," stuffed and chintz-covered, was the
shrunken figure of a more than seventy-year-old man. He was wrapped in
a worn grey dressing-gown, with a black velvet skull-cap, napless at
the seams, covering his spiritless hair, and he looked out upon his
narrow world from dim eyes set in cavernous orbits. In their
expression was something of the questioning timidity of a child,
contrasting curiously with the querulousness of old age, shown in the
thin sucked-in lips, now and again twitched by a movement in unison
with the twitching of the withered hands spread out upon his knees.
The sunshine, slanting through the low windows, bathed hands and
knees, lean shanks and slippered feet, in mote-flecked streams of
gold. It bathed anew rafters and ceiling-beam, as it had done at the
same hour and season these last three hundred years; it played over
the worm-eaten furniture, and lent transitory colour to the faded
samplers on the walls, bringing into prominence one particular
sampler, which depicted in silks Adam and Eve seated beneath the fatal
tree, and recorded the fact that Marie Hochedé was seventeen in 1808
and put her "trust in God"; and the same ray kissed the check of that
very Marie's son, who at the time her girlish fingers pricked the
canvas belonged to the enviable myriads of the unthought-of and the
unborn.
"Why, how cold you are, Cousin Louis," said Mrs. Poidevin, taking his
passive hand between her two warm ones, and feeling a chill strike
from it through the violet kid gloves; "and in spite of all this
sunshine too!"
Public-domain text, read in full here on John Shaqi.
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