The yellow book, an illustrated quarterly. Vol. 2, July 1894
General
The yellow book, an illustrated quarterly. Vol. 2, July 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
We went rapidly in and out of the flaring booths, hustling little
staggering children in our unpitying speed, I listening dreamily to
the concert of hoarse yells and haggling whines which struck against
the silence of our flight. On and on she took me, breathless and
without explanation. We said nothing. I had no care or impulse to ask
our goal. The fierce pressure of my hand was not relaxed a breathing
space; it would have borne me against resistance could I have offered
any, but I was capable of none. The streets seemed to rush past us,
peopled with despair.
Weirdly lighted faces sent blank negations to a spirit of question
which finally began to stir in me. Here, I thought once vaguely, was
the everlasting No!
We must have journeyed thus for more than half an hour and walked far.
I did not detect it. In the eternity of supreme moments time is not.
Thought, too, fears to be obtrusive and stands aside.
We gained a door at last, down some blind alley out of the deafening
thoroughfare. She threw herself against it and pulled me up the
unlighted stairs. They shook now and then with the violence of our
ascent; with my free hand I tried to help myself up by the broad and
greasy balustrade. There was little sound in the house. A light shone
under the first door we passed, but all was quietness within.
At the very top, from the dense blackness of the passage, my guide
thrust me suddenly into a dazzling room. My eyes rejected its array of
brilliant light. On a small chest of drawers three candles were
guttering, two more stood flaring in the high window ledge, and a lamp
upon a table by the bed rendered these minor illuminations unnecessary
by its diffusive glare. There were even some small Christmas candles
dropping coloured grease down the wooden mantel-piece, and I noticed a
fire had been made, built entirely of wood. There were bits of an
inlaid workbox or desk, and a chair-rung, lying half burnt in the
grate. Some peremptory demand for light had been, these signs denoted,
unscrupulously met. A woman lay upon the bed, half clothed, asleep. As
the door slammed behind me the flames wavered and my companion
released my hand. She stood beside me, shuddering violently, but
without utterance.
I looked around. Everywhere proofs of recent energy were visible. The
bright panes reflecting back the low burnt candles, the wretched but
shining furniture, and some odd bits of painted china, set before the
spluttering lights upon the drawers, bore witness to a provincial
intolerance of grime. The boards were bare, and marks of extreme
poverty distinguished the whole room. The destitution of her
surroundings accorded ill with the girl's spotless person and
well-tended hands, which were hanging tremulously down.
Subsequently I realised that these deserted beings must have first
fronted the world from a sumptuous stage. The details in proof of it I
need not cite. It must have been so.
Public-domain text, read in full here on John Shaqi.
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