The yellow book, an illustrated quarterly. Vol. 3, October, 1894
General
The yellow book, an illustrated quarterly. Vol. 3, October, 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“She was a pretty young creature, with pink cheeks and dark eyes, and a
forlorn expression of countenance which didn’t seem at all to fit in
with her blooming health. Not from the town, or I should have known
her face; evidently come from one of the country parishes to sell her
butter and eggs. I was interested to discover what she wanted the
‘dragon’s blood’ for, and after a certain amount of hesitation she
told me. ‘They do say it’s good, sir, if anything should have happened
betwixt you an’ your young man.’ ‘Then you have a young man?’ said I.
‘Yes, sir.’ ‘And you’ve fallen out with him?’ ‘Yes, sir.’ And tears
rose to her eyes at the admission, while her mouth rounded with awe at
my amazing perspicacity. ‘And you mean to send him some dragon’s blood
as a love potion?’ ‘No, sir; you’ve got to mix it with water you’ve
fetched from the Three Sisters’ Well, and drink it yourself in nine
sips on nine nights running, and get into bed without once looking in
the glass, and then if you’ve done everything properly, and haven’t
made any mistake, he’ll come back to you, an’ love you twice as much
as before.’ ‘And la mère Todevinn (Tostevin) gave you that precious
recipe, and made you cross her hand with silver into the bargain,’ said
I severely; on which the tears began to flow outright.
“You know the old lady,” said Mauger, breaking off his narration, “who
lives in the curious stone house at the corner of the market-place? A
reputed witch who learned both black and white magic from her mother,
who was a daughter of Hélier Mouton, the famous sorcerer of Cakeuro.
I could tell you some funny stories relating to la Mère Todevinn, who
numbers more clients among the officers and fine ladies here than in
any other class; and very curious, too, is the history of that stone
house, with the Brancourt arms still sculptured on the side. You can
see them, if you turn down by the Water-gate. This old sinister-looking
building, or rather portion of a building, for more modern houses
have been built over the greater portion of the site, and now press
upon it from either hand, once belonged to one of the finest mansions
in the islands, but through a curse and a crime has been brought down
to its present condition; while the Brancourt family have long since
been utterly extinct. But all this isn’t the story of Elsie Mahy, which
turned out to be the name of my little customer.
“The Mahys are of the Vauvert parish, and Pierre Jean, the father of
this girl, began life as a day-labourer, took to tomato-growing on
borrowed capital, and now owns a dozen glass-houses of his own. Mrs.
Mahy does some dairy-farming on a minute scale, the profits of which
she and Miss Elsie share as pin-money. The young man who is courting
Elsie is a son of Toumes the builder. He probably had something to do
with the putting up of Mahy’s greenhouses, but anyhow, he has been
constantly over at Vauvert during the last six months, superintending
the alterations at de Câterelle’s place.
Public-domain text, read in full here on John Shaqi.
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