The yellow book, an illustrated quarterly. Vol. 3, October, 1894
General
The yellow book, an illustrated quarterly. Vol. 3, October, 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
When the woman uncreate becomes the measuring rod by which her
unconscious living rivals are judged, and are mostly found wanting,
then we are minded to lift up our voice and put in a plea for
fair-play. To the shrined deity are given by the acolothyst, not only
all the perfections of person demanded by a severely æsthetic sense,
but all the moral qualities as well. Every grace of every fair woman he
has ever met--the best attributes of his mother, his sister, and his
aunt--are freely hers. None of the slight blemishes which occasionally
tarnish the high lustre of virtue, none of the caprices to which
sirens are constitutionally liable, are permitted. Faultless wife
and faultless mother must she be, faithful lover and long-suffering
friend, or he will have none of her in his temple. Now, this is surely
a wholly unreasonable, an utterly extravagant demand on the part of
man, and if analysed carefully, will, we believe, be found to yield
egoism and gluttony in about equal parts. How, we venture to inquire,
would he meet a like claim, were it in turn presented to him? A witty
and light-hearted lady--a remnant yet remains, in spite of the advent
of the leaping, bounding, new womanhood--once startled a selected
audience by the general statement, “All men are widowers.” But even
if this generous utterance can be accepted as absolutely accurate, it
can hardly be taken as a proof of man’s fitness for both the important
rôles involved.
For our own part, we are convinced that, broadly speaking, the
exception only proving the rule--whatever that supporting phrase
may mean--woman, fresh from Nature’s moulding, is, so far as first
intention is concerned, a predestined wife or mother. She is not both,
though doubtless by constant endeavour, art and duty taking it turn
and turn about, the dual end may, with hardness, be attained unto.
For Nature is not economic. Far from her is the fatal utilitarian
spirit which too often prompts the improver man (or--dare we confess
it?--still more frequently woman) to attempt to make one object do the
work of two. From all such sorry makeshifts Nature, the great modeller
in clay, turns contemptuously away. Not long ago we read in a lady’s
journal of a ‘combination gown’ which by some cunning arrangement,
the secret whereof was only known to its lucky possessor, would do
alternate day and night duty with equal credit and despatch. We have no
desire to disparage the varied merits of this ingenious contrivance,
but at the best it must remain an unlovely hybrid thing. Probably it
knew this well, for gowns, too, have their feelings, and before now
have been seen to go limp in a twinkling, overcome by a sudden access
of despondency. Such a moment must certainly have come to the omnibus
garment referred to above, when it found itself breakfasting with a
severe and one-idea’d “tailor-made,” or, more cruel experience still,
dining skirt by skirt with a “mysterious miracle”--the latest label--in
gossamer and satin.
Public-domain text, read in full here on John Shaqi.
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