The yellow book, an illustrated quarterly. Vol. 3, October, 1894 — John Shaqi
The yellow book, an illustrated quarterly. Vol. 3, October, 1894
General
The yellow book, an illustrated quarterly. Vol. 3, October, 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
In humbler ways, too, much might be done to stem the morbid activity
of the collective female conscience. Big sins lie at the doors of the
hosts of good men and women who turn out year by year tons of “books
for the young” to serve as nutriment for the hungry nestlings of
culpable, thoughtless parents. It is hard to overstate the pernicious
effect of this class of _motif_ literature. _Féerie_ in old or new
dress is the only nourishing food for the happy child who is to remain
happy. The little girl, aged seven, who lately wrote in her diary
before going to bed, “Of what _real_ use am I in the world?” had, it
is certain, been denied her Andersen, her Grimm, her Carroll, even
her Blue fairy book. Turned in to browse on “Ministering Children,”
“Agatha’s First Prayer,” and the fatal “Eric”--into how many editions
has this last well-meaning but poisonous romance not passed--the little
victim of parental stupidity is thus left with an organ damaged for
life by over-much stimulation at the start. This new massacre of the
innocents is of purely nineteenth-century growth. It dates from the era
of the awakened conscience, and is coincident with the formation of all
the societies for the regeneration of the human race.
_Per contra_, the wife-woman, though but seldom to be met with in the
multitudinous pages written by women, is the well-beloved, the chosen
of the male artist. Week-days and Sundays he paints her portrait.
Shakespeare returns to her again and again, as though it were hard
to part from her. Wicked Trix stands out as bold leader of one bad
band. Tess belongs to the family, though she is of another branch;
so does Cathy of Wuthering Heights, and Lyndall of the African Farm;
whilst latest and slightest scamp of the lot comes dancing Dodo of
Lambeth. Save in a strictly specialised sense, none of this class can
be said to contrive the greatest good of the greatest number. These
are the women to whom the nursery is at best but an interlude, and
at worst a real interruption of their life’s strongest interests.
They are not skilled in dealing with early teething troubles, nor
in the rival merits of Welsh and Saxony flannel stuffs. Their crass
ignorance of all this deep lore may, it is true, go far to kill off
superfluous offspring, but, unjust as it would appear, these are the
mothers who each succeeding year become more and more adored of their
sons. Fribblers though they be, they sweeten the world’s corners with
the perfume of their charm. And the bit of world’s work in which they
excel is the keeping alive the tradition of woman’s witchery. Who,
then, can deny them their plain uses? When Fate is kind and bestows the
fitting partner, the fires of their love never die down. They remain
lovers to the end. Their husbands need fear no rival, not even in the
person of their own superior son. When Fate is unkind and things go
crookedly, these are the women whose wreckage strews life’s high road,
and from whom their wiser sisters turn reprovingly away.
Public-domain text, read in full here on John Shaqi.
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