Many secrets were hers, both political and departmental, but she
kept them nobly, aware that she lived in parlous times, when an
unconsidered word might do a damage irreparable. Agents of the enemy,
she knew, had been discovered in every walk of life, and while she
lived in London’s innermost circle, she knew that even her own house
might not have been immune from visitors whose secret motives were
open to question. It was, therefore, with the desire to reassure
herself as to the unadulterated loyalty of her intimates that she had
carefully scrutinized her dinner lists, eliminating all uncertain
quantities through whom or by whom the unreserved character of the
conversation across her board might in any way be jeopardized. So it
was that tonight’s dinner-table had something of the complexion of a
family party, in which John Rizzio, the bright particular star in
London’s firmament of Art, was to lend his effulgence. John Rizzio,
dean of collectors, whose wonderful house in Berkeley Square rivaled
the British Museum and the Wallace Collection combined, an Italian
by birth, an Englishman by adoption, who because of his public
benefactions had been offered a knighthood and had refused it; John
Rizzio, who had been an intimate of King Edward, a friend of Cabinet
ministers, who knew as much about the inner workings of the Government
as majesty itself. Long a member of Lady Heathcote’s circle, it had
been her custom to give him a dinner on the anniversary of the day of
the acquisition of the most famous picture in his collection, “The
Conningsby Venus,” which had, before the death of the old Earl, been
the aim of collectors throughout the world.
As usual the selection of her guests had been left to Rizzio, whose
variety of taste in friendships could have been no better shown than
in the company which now graced Lady Heathcote’s table. The Earl and
Countess of Kipshaven, the one artistic, the other literary; their
daughter the Honorable Jacqueline Morley; Captain Byfield, a retired
cavalry officer now on special duty at the War Office; Lady Joyliffe,
who had lost her Earl at Mons, an interesting widow, the bud of whose
new affections was already emerging from her weeds; John Sandys,
under-secretary for foreign affairs, the object of those affections;
Miss Doris Mather, daughter of the American cotton king, who was known
for doing unusual things, not the least of which was her recent refusal
of the hand of John Rizzio, one of London’s catches, and the acceptance
of that of the Honorable Cyril Hammersley, the last to be mentioned
member of this distinguished company, gentleman sportsman and man
about town, who as everybody knew would never set the world afire.
No one knew how this miracle had happened, for Doris Mather’s brains
were above the ordinary; she had a discriminating taste in books and a
knowledge of pictures, and just before dinner, upstairs in a burst of
confidence she had given her surprised hostess an idea of what a man
should be.
Public-domain text, read in full here on John Shaqi.
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