The Yellow House; Master of MenOppenheim, E. Phillips (Edward Phillips)
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The Yellow House; Master of Men
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories; England -- Fiction
I watched the Bishop’s face from the first. I saw him glance up as if
in surprise at my father’s rich, musical voice, which woke the echoes
of the dark little church with the first words of the service. At
the singing, which was always wretched, he frowned, and, catching
a sideway glance from Lady Naselton, smiled somewhat. Studying him
through half-closed eyelids, I decided that country services in the
abstract did not attract him, and that he was a little bored.
It was only when my father stood up in the pulpit and looked around
him in that moment or two of hushed suspense which precedes the giving
out of the text, that the lines of his face relaxed, and he settled
himself down with an air of interest.
For me it was a terribly anxious moment. I knew my father’s state of
health, and I remembered the few weary and pointless words which had
gone to make his morning sermon. Contrary to his usual custom, he
stood there without any notes of any sort. I scarcely dared to hope
that he would be able to do himself justice. Yet the first words of
his text had scarcely left his lips when some premonition of what
was to come sent a strange thrill through all my nerves. “The wages
of sin is death.” No words could give any idea of the marvellous yet
altogether effortless solemnity with which these words passed from my
father’s lips. Scarcely uttered above a whisper, they yet penetrated
to the utmost corners of the little church. Was it really intense
earnestness or a wonderful knowledge and appreciation of true dramatic
effect which made him close the book with a slow movement of his
forefinger, and stand up there amongst the deep shadows as pale as the
surplice which hung around his pale form? Yet when he spoke his voice
did not tremble or falter. His words, tense with life, all vibrating
with hidden fire, penetrated easily to the furthest and darkest corner
of the building.
Public-domain text, read in full here on John Shaqi.
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