It was a cheerful, comfortable, eminently modern room, half library,
half office. The oak was solid, but uncompromisingly new. The great
leather armchairs were designed on modern lines—for comfort rather than
for appearance. There were no pictures; but vases of chrysanthemums
stood here and there about the room. A dictaphone in a case was in a
corner, but beside it was a little table on which were set out some
rare bits of old Chelsea. There was also a gramophone, but it was
enclosed in a superb case of genuine old black-and-gold lacquer. The
very books in their shelves carried on this contrast of business with
recreation. For while one set of shelves contained row upon row of
technical works, company reports, and all manner of business reference
books bound in leather, on another were to be found the vellum-bound
volumes of the Kelmscott Press.
A sober note of grey or mole colour was the colour scheme of the room.
The heavy pile carpet which stretched right up to the walls was of this
quiet neutral shade: so were the easy-chairs, and the colour of the
heavy curtains, which hung in front of the two high windows, was in
harmony with the restful decorative scheme of the room.
The massive oaken door stood opposite the window overlooking the
rosery—the window through which Horace Trevert had entered. Parrish’s
desk was in front of this window, between it and the door in
consequence. By the other window, which, as has been stated, looked out
on the clipped hedge surrounding the Pleasure Ground, was the little
table with the Chelsea china, the dictaphone, and one of the
easy-chairs. The centre of the room was clear so that nothing lay
between the door and the carved mahogany chair at the desk. Here, as
they all knew, Parrish was accustomed to sit when working, his back to
the door, his face to the window overlooking the rosery.
The desk stood about ten feet from the window. On it was a large brass
lamp which cast a brilliant circle of light upon the broad flat top of
the desk with its orderly array of letter-trays, its handsome
silver-edged blotter and silver and tortoise-shell writing
appurtenances. By the light of this lamp Dr. Romain, looking from the
doorway, saw that Hartley Parrish’s chair was vacant, pushed back a
little way from the desk. The rest of the room was wrapt in unrevealing
half-light.
“He’s there by the window!”
Public-domain text, read in full here on John Shaqi.
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