The Yoga-Vasishtha Maharamayana of Valmiki, Vol. 2 (of 4), Part 1 (of 2)Valmiki
Religion
The Yoga-Vasishtha Maharamayana of Valmiki, Vol. 2 (of 4), Part 1 (of 2)
Valmiki
Hinduism -- Doctrines -- Early works to 1800; Religious life -- Hinduism -- Early works to 1800
17. The princes who were wet with perspiration, bathed joyfully in the
almost dried up channel; as when the three gods Brahmá, Vishnu and Siva
lave their sweating limbs, in the limpid stream of Ganges. (The three
powers of the soul, like the three persons of the Puránic trinity, were
respectively possessed of the three qualities of action; and yet their
pure natures preferred to bathe in the pure stream of goodness—_satva_,
as in the holy waters of heavenly Ganga—the hallowed Mandákiní).
18. They sported a long while in the water, and drank some draughts of
the same, which was as sweet as milk, and cheered their spirits with
full satisfaction of their hearts (meaning that _satwika_ or good
conduct is sweeter far to the soul, than any other done as unjust or
showy—_rajas_ or _tamas_).
19. They resumed their journey, and arrived at the end of the day and
about sunset, to their future abode of a new-built city, standing afar
as on the height of a hill. (This new-built city was the new-made earth;
to which the spirits descended from their Empyrean).
20. There were rows of flags fluttering like lotuses, in the limpid lake
of the azure sky; and the loud noise of the songs of the citizens was
heard at a distance.
21. Here they saw three beautiful and goodly looking houses, with
turrets of gold and gems shining afar, like peaks of mount Meru under
the blazing sun. (These were the human bodies, standing and walking
upright upon the earth, and decorated with crowns and coronets on their
heads).
22. Two of these were not the works of art, and the third was without
its foundation; and the three princes entered at last into the last of
these. (The two first were the bodies of men in their states of sleep
and deep sleep, called _swápa sopor_ or _swapnas-somnus_ and
_sushupti-hupnos_ or _hypnotes_, which are inborn in the soul; but it is
the _jágrata_ or waking body which is the unstable work of art).
23. They entered this house, and sat and walked about in it with joyous
countenances; and chanced to get three pots as bright as gold therein.
(These pots were the three sheaths of the soul, mind and of the vital
principle, called the _ pránamáyá-kosha_). 24. The two first broke into
pieces upon their lifting, and the third was reduced to dust at its
touch. The far sighted princes however, took up the dust and made a new
pot therewith? It means, that though these sheaths are as volatile as
air, yet it is possible to employ the vital principle to action.
25. Then these gluttonous princes cooked in it a large quantity of corn
for their food; amounting to a hundred _dronas_ minus one, for
subsistence of their whole life-time. (It means that the whole life-time
of a hundred years, allotted to man in the present age of the world, is
employed in consuming so many measures of food, except perhaps one
_Drona_, which is saved by his occasional fasts during his long life).
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account