Jews -- Fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction
It seemed, indeed, that not only had his love been abolished, but that
his entire emotional system had sunken into a state of apathy, and
become unresponsive and inactive. He knew, for example, perfectly well
how Christine would suffer. The light of her youth would be quenched,
and its sweetness turned to gall and wormwood. The world, that was so
fair in her sight, would crumble suddenly to a wide waste of dust and
ashes. An agony like fire would be kindled in her young heart, hopeless
even of hope. It might perhaps, as old Redwood had said, it might
perhaps kill her. But if it did not kill her, it would do worse. She
would have to live, and bear it. He knew all this. He could not help
knowing it. It was too big, palpable, conspicuous, to be ignored. He
knew it; and he stated it clearly, completely, circumstantially, to
himself. And then he wondered at his stolidity; for it woke not a throe
either of compunction or of compassion. He said to himself, “Altogether
aside from the personal element, from the fact that she is who she is,
and that I have been her lover; altogether aside, also, from the fact
that I, though helpless and irresponsible, am still the occasion of
her unhappiness; and simply because she is a woman, a human being, the
knowledge of her overwhelming sorrow and utter desolation, ought to move
me to deepest, keenest pity.” But it did not. It did not move him to
a single momentary qualm. His condition puzzled and mystified him. He
could imagine no way to account for it, unless by again following the
logic of the rabbi, and assuming it to be the act of God. That it was
merely the torpor, the numbness, naturally resulting from the fright,
and the immense physical and moral shock, he had sustained, does not
appear to have suggested itself to him.
On the morning after his interview with old Redwood (on the morning,
namely, of the fourth of May, 1883; date worth remembering), Elias was
established at his studio-window, watching the play of sunlight and
shadow upon the foliage opposite in the park, and introspecting somewhat
listlessly in the direction above set forth, when there came a light tap
upon his door; and, without turning around, he called out, “Come in.” He
heard the door creak open. He heard the visitor take two or three steps
forward into the room. Then, before he had looked to see who it was,
he heard his own name pronounced shyly, by a voice that was but too
well-known:
“Elias!”
Unspeakably astounded and discomfited, he sprang to his feet, faced her,
and stood dumb.
At the moment he was not conscious of noticing especially her
appearance; but long afterward he recalled it vividly. Long afterward,
the pale face, the disordered golden hair, the large, dark, tearful
eyes, the appealing attitude--hands stretched out toward him, face
upturned--became of all his memories the strongest, the clearest, the
most constant, the one on which his remorse chiefly fed.
Public-domain text, read in full here on John Shaqi.
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