The Young Acrobat of the Great North American CircusAlger, Horatio, Jr.
General
The Young Acrobat of the Great North American Circus
Alger, Horatio, Jr.
Circus -- Fiction; Conduct of life -- Fiction; Inheritance and succession -- Fiction
There was a sort of gurgle, for William was trying hard not to laugh, as
he was picturing to himself the rage and mortification of Mr. Bickford
when he discovered the deceit that had been practiced upon him. But the
blacksmith misunderstood the sound, and thought Kit was sobbing.
"You needn't take on!" he said, magnanimously. "It ain't so bad as it
might be. You'll be a good deal better off learnin' a good trade than
trampin' round the country with the circus. I hope this'll be a lesson
to you. You'd better not try to run away ag'in, for it won't be no use.
You won't always have that long-legged giant to help you. If I'd done
right, I should have had him took up for 'sault and battery. He needn't
think because he's eight feet high, more or less, that he can defy the
laws of the land. I reckon he got a little skeered of what he done, or
he wouldn't have acted so different this evening."
William did not reply to this. He was rather in hopes Mr. Bickford would
stop addressing him, for he did not like to run the risk of answering,
as it might open the eyes of the blacksmith to the fact that he had the
wrong boy in the wagon.
The distance to Oakford steadily diminished, though Mr. Bickford's horse
was a slow one. At length it had dwindled to half a mile.
"Now I don't care if he does find out who I am," thought William. "It
ain't but a little way home now, and I shouldn't mind walking." Still
his own house was rather beyond Mr. Bickford's, and it was just as well
to ride the whole way, if he could escape detection so long.
"Where did you learn them circus performances, Christopher?" suddenly
asked the blacksmith, turning once more in his seat.
By this time they were within a few rods of the blacksmith's yard, and
William became bold, now that he had nothing to lose by it.
"My name isn't Christopher," he answered in his usual tone.
"Your name isn't Christopher? That's what your uncle told me."
"I think you are mistaken," said William quietly.
"What's got into the boy? Is he goin' to deny his own name? What is your
name, then?"
"My name is William Morris," was the distinct response.
"What!" exclaimed the blacksmith in amazement.
"I think you ought to know me, Mr. Bickford. I worked for you some time,
you know."
"Take off your hat, and let me look at your face!" said Aaron Bickford,
sternly.
William laughed as he complied with the request. It was now rather
lighter, and the blacksmith, peering into his face, saw that it was
indeed true--that the boy on the back seat was not Kit Watson at all,
but his ex-apprentice, William Morris.
"It's Bill Morris, by the living jingo!" he exclaimed. "What do you say
to that, Sarah?"
"You're a master hand at managing boys, Aaron," said his wife
sarcastically.
"How came you in the wagon, Bill Morris?" demanded Bickford, not caring
to answer his wife.
"The giant put me in," answered William.
"Where is that boy, Christopher Watson?"
"I expect he is travelin' with the show, Mr. Bickford."
Public-domain text, read in full here on John Shaqi.
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