The Young Diana: An Experiment of the FutureCorelli, Marie
Science
The Young Diana: An Experiment of the Future
Corelli, Marie
Experiments -- Fiction; Psychological fiction; Rejuvenation -- Fiction; Science fiction; Single women -- Fiction
“And so it is finished!” he said to himself. “All over! A completed
triumph and marvel of science! But--what have I made of her? _She is
not a woman!_ Then--_what_ is she?”
CHAPTER XXI
While Dimitrius thus perplexed himself with a psychological question
for which he could find no satisfactory answer, Diana was happily free
from doubts and fears of any kind whatsoever. When she found herself
alone in her rooms she was conscious of a strange sense of sovereignty
and supremacy which, though it was in a manner new to her, yet did not
seem unnatural. She was not in the least conscious of having passed
four days, practically, in a state of suspended animation, no more,
perhaps, than is the Indian fakir who suffers himself to be buried in
the earth for a sufficient time to allow the corn to grow over him. She
looked about her, recognising certain familiar objects which were her
own, and others which belonged to the Dimitrius household,--she touched
the piano lightly as she passed it,--glanced through the open window
at the dusky, starlit skies, and then went into her bedroom, where,
turning on the electric burner, she confronted herself in the mirror
with a smile. Beauty smiled back at her in every line and curve, in
every movement; and she criticised her own appearance as she might have
criticised a picture, admiring the sheeny softness and sparkle of the
mysterious garment in which she was arrayed. But after a few moments of
this quiet self-contemplation, she recollected more mundane things, and
going to the wardrobe, took out the rose-pink wrap Sophy Lansing had
given her.
“I wonder,” she said, half laughing, “what Sophy would say to me now!
But, after all, what a far-away person Sophy seems!”
Standing before the mirror she deliberately let the shining “robe of
ordeal” slip from her body to the floor. Nude as a pearl, she remained
for a moment, gazing, as she knew, at the loveliest model of feminine
perfection ever seen since the sculptor of the Venus de Medici wrought
his marble divinity. Yet she was not surprised or elated; no touch of
vanity or self-complacency moved her. The astonishing part of the whole
matter was that it seemed quite natural to her to be thus beautiful;
beauty had become part of her existence, like the simple act of
breathing, and called for no special personal notice. She slipped on
a few garments, covering all with her rose-silk wrapper, and twisted
up her hair. And so she was clothed again as Diana May,--but what a
different Diana May! She heard Vasho moving in the sitting-room, and
looking, saw that he was setting out a dainty little table with game
and fruit and wine. He caught sight of her fair face watching him from
the half-open door which divided bedroom from sitting-room, and paused,
abashed--then made a sort of Eastern salutation, full of the most
abject humility.
“Poor Vasho!” she said, advancing. “How strange that you should be so
afraid of me! What do you take me for? You must not be afraid!”
Public-domain text, read in full here on John Shaqi.
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