The Young Diana: An Experiment of the Future — John Shaqi
The Young Diana: An Experiment of the FutureCorelli, Marie
Science
The Young Diana: An Experiment of the Future
Corelli, Marie
Experiments -- Fiction; Psychological fiction; Rejuvenation -- Fiction; Science fiction; Single women -- Fiction
Such, briefly outlined, were the characteristics of the couple who, in
an absent-minded moment, had taken upon themselves the responsibility
of bringing a woman into the world for whom apparently the world
had no use. Woman, considered in the rough abstract, is only the
pack-mule of man,--his goods, his chattels, created specially to be
the “vessel” of his passion and humour,--and without his favour and
support she is by universal consent set down as a lonely and wandering
mistake. Such is the Law and the Prophets. Under these circumstances,
which have recently shown signs of yielding to pressure, Diana, the
rapidly ageing spinster daughter of Mr. and Mrs. James Polydore May,
was in pitiable plight. No man wanted her, not even to serve him as a
pack-mule. No man sought to add her person to his goods and chattels,
and at the time this true story opens, she was not fair or fascinating
or young enough to serve him as a toy for his delight, a plaything
of his pleasure. Life had been very monotonous for her since she had
passed the turning-point of thirty years,--“nice” people, who always
say nasty things, remarked “how _passée_ she was getting,”--thereby
helping the ageing process considerably. She, meanwhile, bore her lot
with exemplary cheerfulness,--she neither grizzled nor complained, nor
showed herself envious of youth or youthful loveliness. A comforting
idea of “duty” took possession of her mind, and she devoted herself to
the tenderest care of her fat mother and irritable father, waiting upon
them like a slave, and saying her prayers for them night and morning as
simply as a child, without the faintest suspicion that they were past
praying for. The years went on, and she took pains to educate herself
in all that might be useful,--she read much and thought more,--she
mastered two or three languages, and spoke them with ease and fluency,
and she was an admirable musician. She had an abundance of pretty
light-brown hair, and all her movements were graceful, but alas!--the
unmistakable look of growing old was stamped upon her once mobile
features,--she had become angular and flat-chested, and the unbecoming
straight line from waist to knee, which gave her figure a kind of
pitiful masculinity, was developing with hard and bony relentlessness.
One charm she had, which she herself recognised and took care to
cultivate--“a low, sweet voice, an excellent thing in woman.” If one
chanced to hear her speaking in an adjoining room, the effect was
remarkable,--one felt that some exquisite creature of immortal youth
and tenderness was expressing a heavenly thought in music.
Public-domain text, read in full here on John Shaqi.
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