The Young Seigneur: Or, Nation-Making — John Shaqi
The Young Seigneur: Or, Nation-MakingLighthall, W. D. (William Douw)
History
The Young Seigneur: Or, Nation-Making
Lighthall, W. D. (William Douw)
Canada -- History -- Fiction
"Mehercle, be Charon propitious to thee when thy soul meets him at the
river in Hades," he cried. "Be he propitious to thee, Chamilly, for
making me a horseman!"
Then the memorable picture;--we speeding along that bit of road in the
Park, the Mountain-side towering precipitously above us on the left and
sloping below us in groves on the right; our horses galloping faster and
faster; our dash into a bold rocky cutting; our consternation!--a young
maiden picking up autumn leaves within two yards before our galloping
horses! Near by, I remember quite clearly now her companion, and not far
off the carriage with golden-bay horses.
"Stop!" I shouted.
Even as I shouted, I was already past her, and the brush of Quinet's
horse flying as near on the other side of her, snatched off her bouquet
of autumn leaves and strewed them in a cloud. Thank God only that we had
not gone over her! The peril was frightful. My horse had had his head
down and I could not pull him up.
But what excited me most was the courage of the girl. She started; but
rose straight and firm, facing us as we charged. Even in that instant, I
could see changes of pallor and color leap across her brow and
cheek--could see them as if with supernatural vividness. Yet her eyes
lighted proudly, her form held itself erect, and her clear features
triumphed with the lines as if of a superior race. She could only be
compared, standing there, to an angel guarding Paradise! How fair she
was! And the face was the face of the little girl of the Manoir of
Esneval!
After the agitations of our apologies I retained just enough of my wits
about me to enquire her name. "Alexandra Grant," she said gracefully
enough. Ah yes, I recollected--the Grants, within a generation, had
bought the Esneval Seigniory, and its Manor-house.
CHAPTER VII.
QUINET.
Public-domain text, read in full here on John Shaqi.
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