The Young Seigneur: Or, Nation-MakingLighthall, W. D. (William Douw)
History
The Young Seigneur: Or, Nation-Making
Lighthall, W. D. (William Douw)
Canada -- History -- Fiction
Picault's was an extensive family mansion of sandstone, built thirty
years before for one of the wealthiest merchants of Montreal. It was on
a corner.
One end rose into a rococo tower, lit then with the curious kind of
clearness produced by a half-moon's light. In the centre, before the
hospital door, projected a pillared portico, under which our carriage
drove, and at the other end lurked the shades of a massive gate-way with
cobbled road leading through. The carriage-road past the front was
bordered by lilacs in bloom--on the one side, as we went through, all
shadows, on the other faintly colored, mingling their fragrance with
that of huge rose-bushes.
The doors were thrown open, and we saw a great staircase in a wide hall
hung with colored lights, and entering passed into one of the most
lavish of interiors. As I looked around the dressing-room to which
Chinic and myself were shown and saw the windows stacked with tropical
plants, the colored candles set about the walls in silver sconces; the
bijou paintings and the graceful carving of the furniture; the deep
blending of tints and shades in the carpets, curtains and ornaments, I
felt another new experience--the sensation of luxury--and dropping back
in an easy chair, asked my companion:
"Chinic, what does Picault do?"
"Ma foi, I do not pretend to say," replied the young Frenchman, half
turning towards me from the mirror where he was brushing his hair."
Suffice it he is a millionaire, and I get summoned to drink his wine.
Some say he is in politics, others that he deals with stocks; for me it
is enough that he deals with the dance and good table. Is it not
magnificent to so live? I would sell my soul for fifteen years of it."
The remark set me thinking a moment, but it only complicated the charm
of delivering oneself over to sensations.
We met Grace at the head of the staircase. She had never looked more
Venus-like than in this fairy glow, with a plant-filled window behind
her, opening out into the summer darkness. The music of a waltz of
Strauss was rising from below, and I felt a wonderful thrill as she
again took my arm.
Our respects being paid to the hostess, Madame Picault, Grace gave me a
couple of dances on her card, and introducing me to a slender young
girl, with pretty eyes, and two very long, crisp plaits of hair, went
off on the arm of some one else.
As my father's plan of education had taken me hitherto wholly into
English society, so far as into any, the unique feeling of being a
stranger to my own race came with full force upon me for a moment and I
stood silent beside the pretty eyes and looked at the scene. The walls
were a perfect gallery of sublime landscapes, and small pictures heavily
set; four royal chandeliers threw illumination over a maze of flowered
trains and flushed complexions, moving through a stately "Lancers,"
under a ceiling of dark paintings, divided as if framed, by heavy gilded
mouldings, like the ceiling of a Venetian Palace.
Public-domain text, read in full here on John Shaqi.
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