The Young Seigneur: Or, Nation-MakingLighthall, W. D. (William Douw)
History
The Young Seigneur: Or, Nation-Making
Lighthall, W. D. (William Douw)
Canada -- History -- Fiction
"Chamilly! Chamilly! This is the soil of our forefathers!" Quinet and I
stood at last on the shores of France. We trod it with veneration, and
looked around with joy. It was the sea-port of Dieppe, whose picturesque
mediaeval Gothic houses ranged their tall gables before us. Hence my
ancestor had sailed to the wild new Canada two centuries before.--O
enchanted land!
"Behold the Middle Ages!"--cried Quinet again, looking at the Gothic
houses--"of which we have heard and read."
"Is it not strange!"--I exclaimed--"Yes, this is the old Patrie.--Is it
possible to believe ourselves here?--Stamp and see if the ground is
real!"
"There is a _blouse_!--a _paysan_, as in the pictures--he wears the cap!
he has the wooden shoes!"
"It is our brother--the Frenchman!"
There was more nevertheless. Celestial angels,--I too have been in
heaven. I have been a French Canadian in Paris!
Dieppe was the first note of the music, the noble and quaint Cathedral
of Rouen and our railway glimpses of rural Normandy were the prelude. At
last our pilgrim feet were in the Beautiful City. O much we wandered in
its Avenues, with throbbing delight and love towards every face, that
first memorable day. This river is the _Seine_! that Palace so proud and
rich, the world-renowned _Louvre_. What is yon great carved front with
twin towers--that pile with the light of morning melting its spires and
roofs and flying buttresses as they rise into it--that world of
clustered mediaeval saints in stone, beautiful, pointed-arched portals
and unapproached and unapproachable dignity--from which the edifices of
the City seem to stand afar off and leave it alone, and which wears not
the air of to-day or yesterday?--_Notre Dame de Paris_, O vast monument
of French art, recorder of chivalric ages, all the generations have had
recourse to thine aisles and the heart of Paris beats within thee as the
hearts of Quinet and this d'Argentenaye beat under the ribs of their
human breasts.
Paris knew and loved us. The fountains and great trees of the Tuilleries
Gardens were palatial for us; the Champs Elysees laughed to us as we
moved through their groves; the Arch de l'Etoile had a voice to us
grandly of the victories of our race; the Bois de Boulogne was gay with
happy groups and glistening equipages.
How well they do everything in Paris! When shall the streets of Montreal
be so smooth, the houses so artistically built, when shall living be
reduced to such system of neatness and saving?
Quinet betook himself much to the obscure cheese shops and cafes in the
quarters of the people, and ate and chatted with such villains that I
called him "The Communard." He, on the other hand, called me "Le Grand
Marquis," because I made use of some relatives who were among the
nobility.
Public-domain text, read in full here on John Shaqi.
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