There are some characters so constituted, that of them the old proverb, that Love is blind, is perfectly true; they can see no imperfection in the mind or body of those dear to them. There are others in whom the strongest affections do not destroy clearness of vision, who see their friends on all sides, and perceive their faults and foibles, without loving them the less. Albinia Kendal was a person of the latter description. It might almost be called her temptation, that her mind beheld all that came before it in a clear, and a humorous light, such as only a disposition overflowing with warm affection and with the energy of kindness, could have prevented from bordering upon censoriousness. She had imagination, but it was not such as to make an illusion of the present, or to interfere with her almost satirical good sense. Happily, religion and its earthly manifestation--charity regulated her, taught her to fear to judge lest she should be judged, strengthened her naturally fond affections, and tempered the keenness that disappointment might soon have turned to sourness. The tongue, the temper, and the judgment knew their own tendencies, and a guard was set over them; and if the sentinel were ever torpid or deceived, repentance paid the penalty. She had not long seen her husband at home before she had involuntarily completed her view of his character. Nature must have designed him for a fellow of a college, where, apart from all cares, he might have collected fragments of forgotten authors, and immortalized his name by some edition of a Greek Lyric poet, known by four poems and a half, and two-thirds of a line quoted somewhere else. In such a controversy, lightened by perpetually polished poems, by a fair amount of modern literature, select college friendships, and methodical habits, Edmund Kendal would have been in his congenial element, lived and died, and had his portrait hung up as one of the glories of his college.