“A pot-boiler—designed, in other words, not for fame, but to furnish
food and raiment. But, come,” she added, “I’ve worked enough for one day
and I need some fresh air. Will you come along?”
“I certainly will!” he said, his face lighting, and he watched her while
she stowed her paints away in a box, giving them, together with the
easel and the unfinished painting, into the care of one of the
attendants.
“Now wait till I get my hat and coat,” she said, “and off we go.”
She was back in a few moments, her piquant face set off by a most
becoming toque, and her painting apron replaced by a long wrap.
“All right,” she said, and a moment later they were walking down the
steps together.
Not till then did he have an opportunity to look at her, and he was
struck with a sudden sense of strangeness. This was not the Betty
Heywood he had known, but a woman brighter, more dashing, more
self-assured. He was surprised, in a way, to find that there was no
shadow of her father’s failure on her. He had expected to find her
labouring with that sorrow, or at least showing visible traces of it,
and he wondered how she had escaped so completely.
She glanced at him once or twice, as they turned together along one of
the paths of the park, and opened her lips to speak, but closed them
again, as though hesitating how to begin.
“You’re still at Wadsworth?” she asked, at last.
“Oh, yes.”
“In the dispatchers’ office?”
“Chief dispatcher now,” he said.
“Are you?” she said. “Isn’t that fine! But I knew you’d work your way
right up. Do you know, you’ve developed into just the sort of man that
you were a boy.”
“Doesn’t everybody?”
“Oh, no indeed. Very few people do. Most of us grow crooked—there’s
always something in the path that throws us out of line. Sometimes it
throws us up and sometimes it throws us down, but you’ve grown right
straight ahead. Now I can tell by the way you look at me that I’m not at
all the kind of woman you expected I would be.”
He was a little disconcerted at this frankness.
“No,” he said, at last, “you’re right there. I can’t quite make you
out.”
“I’ve had obstacles, you see,” she said, her face clouding for an
instant. “I’ve grown crooked.”
“I heard of your mother’s death,” he said, gently. “I shall never forget
her, though I met her only once.”
“Yes—dear mother. She thought a great deal of you. So did father.”
“Your father was very kind to me,” he said.
She looked quickly into his face.
“Things have not been well with us,” she said, with a little catch in
her voice. “I had to go to work. I found I had some little artistic
talent, and I turned it to account. And I’ve made a lot of good friends
here.”
She looked at him again.
“You’ve heard that I’m going to be married?” she asked, suddenly.
“Yes,” he answered, as evenly as he could. “Mr. Round said something
about it to-day.”
Public-domain text, read in full here on John Shaqi.
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