The Younger American PoetsRittenhouse, Jessie Belle
History
The Younger American Poets
Rittenhouse, Jessie Belle
American poetry -- History and criticism; Poets, American
Thy speech breaks
Against the interruption of my lips
Like the low laughter of a summer brook
Over perpetual pebbles.
But when the crisis of the play is reached, when the court is rife
with rumors of the Queen’s disloyalty, and Lancelot and Guinevere,
under imminent shadow of exposure, meet by chance in the throne
room,—there is drawn a vital, moving picture, one whose art lies in
revealing the swift transition from impulse to impulse through which
one passes when making great decisions. First, the high light is
thrown upon the stronger side of Guinevere, in such meditative
passages as these, tinged with a melancholy beauty:
We have had a radiant dream; we have beheld
The trellises and temples of the South,
And wandered in the vineyards of the Sun:—
’Tis morning now; the vision fades away
And we must face the barren norland hills.
_Lancelot._ And must this be?
_Guinevere._ Nay, Lancelot, it is.
How shall we stand alone against the world?
_Lancelot._ More lonely in it than against!
What’s the world to us?
_Guinevere._ The place in which we live.
We cannot slip it from us like a garment,
For it is like the air—if we should flee
To the remotest steppes of Tartary,
Arabia, or the sources of the Nile,—
It still is there, nor can it be eluded
Save in the airless emptiness of death.
And fortressed with resolve, she speaks of war, of rending the
kingdom, of violating friendships, of desecrating the family bond, to
all of which Lancelot opposes his own desires:
And I—
I, too, defend it when it _is_ a family,
As I would kneel before the sacred Host
When through the still aisles sounds the sacring bell;
But if a jester strutted through the forms
And turned the holy Mass into a mock,
Would I still kneel, or would I rise in anger
And make an end of that foul mimicry?
This but adds strength to Guinevere’s argument,
Believest thou, then, the power of the Church?
The Church would give our love an ugly name.
_Lancelot._ Faith, I believe, and I do not believe.
The shocks of life oft startle us to thought,
Rouse us from acquiescence and reveal
That what we took for credence was but custom.
_Guinevere._ You are Arthur’s friend, your love—
Stands this within the honor of your friendship?
_Lancelot._ Mother of God—have you no pity?
_Guinevere._ I would
I could be pitiful, and yet do right.
Alas, how heavy—your tears move me more
Than all—(what am I saying? Dare I trust
So faint a heart? I must make turning back
Impossible);
and with a final resolve she adds:
But know the worst! I jested—
I—God!—I do not love you. Go! ’Twas all
Mockery—wanton cruelty—what you will—lechery!—
I—
(_Lancelot looks at her dumbly, then slowly turns to go. As he draws
aside the curtain of the doorway_—)
_Guinevere._ Lancelot!
_Lancelot._ What does the Queen desire?
Public-domain text, read in full here on John Shaqi.
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