Miss Reese’s verse shows constant affinity with Herrick, though it is rarely so blithe. It has the singing mood, but not the buoyant one, being tempered by something delicate and remote. The unheard melodies within it are the sweetest; it pipes to the spirit “ditties of no tone.” Even its least rare fancies convey more than they say, and it must be confessed that much so-called poetry says more than it conveys. Whitman’s mystical words: “All music is what awakes from you when you are reminded by the instruments,” applies equally well to poetry, to poetry of suggestion, such as Miss Reese’s. Yesterday’s parted grace has been transmuted to poetry within us all, but it is a voiceless possession, speaking to us in the soul. Miss Reese’s poems, by a line or two, perhaps, put one in swift possession of that vanishing beauty within himself. It floods back, perchance in tears, but it is ours again. Take almost a random citation, for this quality is rarely absent from her poems, whether they summon Joy or Pain,—her lines “To A White Lilac”: I know you, ghost of some lone, delicate hour, Long-gone but unforgot; Wherein I had for guerdon and for dower That one thing I have not. Unplucked I leave your mystical white feather, O phantom up the lane; For back may come that spent and lovely weather, And I be glad again! To analyze this, would be to pluck the mystical white feather that a poet left untouched, that it might recall the grace of “some lone, delicate hour, long-gone but unforgot;” but the soul of such an hour has subtilized for each of us in that spiritual memory-flower, and it needs no more than the opening line of this poem to invest the disillusioned day with a mood the same—yet not the same. Miss Reese has put it in two lines in her “Song of the Lavender Woman”: Oh, my heart, why should you break at any thoughts like these? So sooth are they of the old time that they should bring you ease. In another brief poem, the spirit of grief, that transmutes itself at last to music, to odor, to sunsets and dawns, becomes vital again in the scent of the box, the garden shrub. The lines show Miss Reese’s susceptibility to impression from the most intangible sources: Dark, thinned, beside the wall of stone, The box dripped in the air; Its odor through my house was blown Into the chamber there. Remote and yet distinct the scent, The sole thing of the kind, As though one spoke a word half meant That left a sting behind. I knew not Grief would go from me And naught of it be plain, Except how keen the box can be After a fall of rain.