The Younger American PoetsRittenhouse, Jessie Belle
History
The Younger American Poets
Rittenhouse, Jessie Belle
American poetry -- History and criticism; Poets, American
The mere objective delight of the earlier time has grown steadily into
the subjective identity with every manifestation of the Force that
operates within this world of wonder and beauty, from the soul of man,
shaping his ideals and creating his environment, to the butterfly
whose sun-painted wings, set afloat in the buoyant air, are upheld by
the breath of God. Coming into the finer knowledge, through long
intimacy with the earth and its multitudinous life, fulfilling itself
in joy,—Mr. Carman has come at length to
readjust
The logic of the dust,
and to shape from it a creed and law for his following, which he has
put into the mouth of Saint Kavin for expounding. The opening stanzas
of the volume give the setting and note:
Once at St. Kavin’s door
I rested. No sigh more
Of discontent escaped me from that day.
For there I overheard
A Brother of the Word
Expound the grace of poverty, and say:
Thank God for poverty
That makes and keeps us free,
And lets us go our unobtrusive way,
Glad of the sun and rain,
Upright, serene, humane,
Contented with the fortune of a day.
The poem follows simple, but no less picturesque phrase, as becomes
Saint Kavin, and is, from the technical side, quaint and artistic. On
the philosophical, it develops at first the initial thought that one
shall “keep his soul”
Joyous and sane and whole
by obeying the word
That bade the earth take form, the sea subside,
and that
When we have laid aside
Our truculence and pride,
Craven self-seeking, turbulent self-will,—
we shall have found the boon of our ultimate striving,—room to live
and let our spirits grow, and give of their growth and higher gain to
another. Here is the giving that turns to one’s own enrichment:
And if I share my crust,
As common manhood must,
With one whose need is greater than my own,
Shall I not also give
His soul, that it may live,
Of the abundant pleasures I have known?
And so, if I have wrought,
Amassed or conceived aught
Of beauty, or intelligence or power,
It is not mine to hoard;
It stands there to afford
Its generous service simply as a flower.
The poem then broadens into a dissertation upon the complexities of
life, one’s servitude to custom and “vested wrong,” the lack of
individual courage to
Live by the truth each one of us believes,
and turns, for illustration of the nobler development and poise, back
to nature, and the evolutionary round of life through which one traces
his course and kinship. These stanzas are among the finest spoken by
the wise Brother of the Word. After citing the strength and serenity
of the fir-trees, and what a travesty upon man’s ascent it were, did
one bear himself less royally than they, he adverts to the creature
kin-fellows whose lot we have borne:
Public-domain text, read in full here on John Shaqi.
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