At age five his mother made him acolyte in a Zen monastery, a move some
suggest was for his physical safety, lest the shogun decide to do away
with this emperor's son as a potential threat. His schooling in this
_gozan _era was aristocratic and classical, founded on Chinese
literature and the Buddhist sutras. By age eleven he was studying the
Vimalakirti Sutra and by thirteen he was intensively reading and
writing Chinese poetry. One of his works, written at age fifteen and
entitled "Spring Finery," demonstrates a delicate sensibility
reminiscent of John Keats:
_How many passions cling to this wanderer's sleeves?
Multitudes of falling blossoms mark the passion of Heaven and Earth.
A perfumed breeze across my pillow; Am I asleep or awake?
Here and now melt into an indistinct Spring dream.14
_
The poet here has returned from a walk only to find the perfume of
flowers clinging to his clothes, confusing his sense of reality and
place. It recalls Keats' nightingale--"Fled is that music:--Do I
wake or sleep?" In this early poem we catch a glimpse of the sensualist
Ikkyu would one day become.
At age eighteen he became a novice to a reclusive monk of the Myoshin-
ji branch of Zen in Kyoto; but when his mentor died two years later he
wandered for a time disconsolate and suicide-prone. Then at twenty-two
he decided to try for an interview with Kaso Soton (1352-1428), the
Daitoku-ji-trained master known to be the sternest teacher in Japan. As
was traditional, the master at first shut him out and refused an
audience. Ikkyu resolved to wait outside until death, "taking the dew
for his roof and the grasses for his bed." He slept at night under an
empty boat and stood all day in front of Kaso's retreat. After Kaso
repeatedly failed to discourage him, even once dousing him with water,
the master relented and invited Ikkyu in for an interview. They were
made for each other and for many years thereafter Ikkyu and Kaso
"pursued deep matters tirelessly."
Ikkyu came to revere Kaso, probably one of the few authentic masters of
the age, and he stayed to serve this teacher for almost a decade, even
though life with Kaso was arduous. Since they lived near a major lake,
Ikkyu would each night meditate in a borrowed fisherman's boat until
dawn. When his purse "went flat," he would journey to the capital and
sell incense or cheap clothing to poor housewives--afterwards returning
to the monastery in the same straw sandals, hat, and cloak.15 After
three years Kaso gave him the Zen name Ikkyu, a recognition of his
progress.
Ikkyu's enlightenment occurred in his twenty-sixth year when, while
meditating in the boat, he was startled by the cry of a crow. He rushed
back at dawn and reported this to his master.
Kaso responded, "You have reached the stage of an _arhat _[one who has
overcome ego], but not that of a Master, novice."
Ikkyu replied, "Then I'm perfectly happy as an _arhat _and don't need
to be a Master."
Public-domain text, read in full here on John Shaqi.
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